Neptune Tall Heights

• 1 Iron in the Fire 03:37
• 2 Spirit Cold 03:38
• 3 River Wider 03:09
• 4 No Man Alive 03:54
• 5 The Runaway 03:36
• 6 Infrared 03:17
• 7 Horse to Water 04:06
• 8 Backwards and Forwards 04:11
• 9 Two Blue Eyes 03:28
• 10 Cross My Mind 03:36
• 11 Growing 03:00
• 12 Wayfarers 02:07
• Total Runtime 41:39

Info for Neptune

Neptune is the major label debut album from Boston progressive folk duo, Tall Heights. Neptune is the follow up to 2015 s Holding On, Holding Out EP which was met with critical acclaim from outlets like NPR and The Wall Street Journal who compared their emotive harmonies and poignant lyrics to the likes of Simon & Garfunkel, Sigur Ros and Bon Iver. Of particular note is the track Spirit Cold , the lead single from the forthcoming release. In a short time it has reached almost 5.5 Million streams on Spotify and is growing quickly.

The multi-talented singer songwriters, composers and instrumentalists featuring Paul Wright on cello/vocals and Tim Harrington on acoustic guitar/vocals got their start busking on the streets of Boston, growing up in a neighboring town in Massachusetts. Neptune is a far lusher construct than those early acoustic days along with pristine and emotive vocal harmonies, there s subtly chugging electric guitar and a spare descending bassline on Iron in the Fire, ethereal synthesizers and a spacious drum part on Spirit Cold, a brittle splash of percussion to open Backwards and Forwards and feedback created by two cellphones on Cross My Mind.

Tim Harrington, vocals guitar
Paul Wright, vocals, cello

Tall Heights
Getting there is half the fun, as the old saying goes, but the journey is really the whole point for Boston progressive-folk duo Tall Heights. Singer/guitarist Tim Harrington and singer/cellist Paul Wright know where they’ve been, and where they want to go. As for the route, well, “we’re just mapping it out as we take it, day by day,” says Harrington.

They’ve reached their biggest junction so far — Neptune, due August 19, is Tall Heights’ first album for Sony Music Masterworks, and the latest step in the ongoing evolution of their sound and style.

Harrington and Wright formed Tall Heights in 2010, keeping their songs stripped down to their essential elements, in part, to make it simpler to perform on the streets of Boston.

Neptune is a far lusher construct: along with pristine and emotive vocal harmonies, there’s subtly chugging electric guitar and a spare descending bassline on “Iron in the Fire,” ethereal synthesizers and a spacious drum part on “Spirit Cold,” a brittle splash of percussion to open “Backwards and Forwards” and feedback created by two cellphones on “Cross My Mind.”

“It was helpful and I think comforting to define ourselves as two vocalists, guitar and cello,” Wright says. “There was a beauty and a simplicity, and stepping outside of that box is pretty scary, because you’re forced to redefine yourself and do some sonic soul-searching. I think this record reflects the results of that scary step.”

The band’s broadening sound came from the musicians’ conscious effort to push themselves, and each other, to create in new ways. By relying on a few core elements at the start, the duo learned to make the most of their minimalist set-up. “It taught us to be lean and mean and effective with just two voices and two instruments,” Harrington says. “It made us consider vocal tone and the way voices can mesh and interact.”

As those lessons took root, the pair essentially gave themselves permission to push their musical boundaries outward over three separate recording sessions at Color Study studio in tiny Goshen, Vermont, that yielded songs for their 2015 EP Holding On, Holding Out, and for Neptune. Not only did Harrington and Wright expand their sonic palette throughout the process, they also altered their approach to writing. The musicians tend to develop ideas separately, before one brings a new song to the other for further development. It’s a reflection of their early days sharing musical ideas, when Wright was living overseas and Harrington was finishing up college.

“We would send each other terrible sound-recorder voice memo files and we’d write these nice emails to each other about each other’s songs, so creating concepts independently is something we’ve always done,” says Wright, who has been friends with Harrington since they were kids growing up in the central Massachusetts town of Sturbridge.

They changed the formula on Neptune. Four songs on the album — “River Wider,” “Infrared,” “Cross My Mind” and “Growing” — are the result of one musician looping a simple instrumental part and letting the other write lyrics for it. With the last recording session looming, the duo worked faster than usual on those songs, particularly the somber, atmospheric “Cross My Mind.” “We were under the gun, he was downstairs making one thing, I was upstairs making another thing, we put them together and then we workshopped it in the car on the drive up to the studio,” says Harrington, whose Boston apartment is literally upstairs from Wright’s.

Their ever-closer collaboration, and the time they gave themselves in the studio to develop it, is indicative of the band’s developing approach to making music. “I can hear the evolution happening,” Harrington says. “I feel like we’re walking across a bridge from one place to another, and maybe I’ll always feel that way, but I’m really happy with how we’re moving.”

This album contains no booklet.