Impact (Remastered) Charles Tolliver & Music Inc Orchestra

• 1 Impact 08:04
• 2 Mother Wit 08:26
• 3 Grand Max 06:26
• 4 Plight 09:49
• 5 Lynnsome 07:21
• 6 Mournin' Variations 08:05
• Total Runtime 48:11

Info for Impact (Remastered)

Trumpeter and flugelhorn player Charles Tolliver often straddled the line between the lyricism of hard bop and adventurous avant-garde. "Impact," released in 1975, featured a stimulating progressive approach in an energetic large-band format (14 horns, eight strings, and a rhythm section).

Tolliver's arrangements are consistently brilliant, building momentum while giving soloists ample space to maneuver through the diverse textures. Soloists in the notable horn section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.

"Trumpeter/flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, Impact contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to maneuver through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick." (Al Campbell, AMG)

Charles Tolliver, trumpet, flugelhorn
James Spaulding, flute, alto saxophone
Harold Vick, flute, soprano saxophone, tenor saxophone
Charles McPherson,alto saxophone
George Coleman, tenor saxophone
Charles Davis, baritone saxophone
Jon Faddis, trumpet
Lorenzo Greenwich, trumpet
Virgil Jones, trumpet
Jimmy Owens, trumpet
Richard Williams, trumpet
Garnett Brown, trombone
John Gordon, trombone
Kiane Zawadi, trombone
Jack Jeffers, bass trombone
Stanley Cowell, piano
Clint Houston, bass
Cecil McBee, bass
Reggie Workman, bass
Clifford Barbaro, drums
Warren Smith, chimes, percussion
Big Black, percussion
Billy Parker, percussion
Winston Collymore, violin
Noel DaCosta, violin
Gayle Dixon, violin
Noel Pointer, violin
Julius Miller, viola
Ashley Richardson, viola
Akua Dixon Turre, cello
Edith Wint Porter, cello

Digitally remastered

Charles Tolliver
began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording “With Love”.

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years.

Dizzy Gillespie, when asked in a Downbeat magazine interview with Herb Nolan, “what trumpet players do you hear today whom you like”, Dizzy’s reply, “Charles Tolliver – I like him”. Charles Tolliver, entirely self-taught, is a remarkable talent who has gained an outstanding reputation as a trumpetist, bandleader, composer, arranger, and educator. Born in Jacksonville, Florida in 1942, his musical career began at the age of 8 when his beloved grandmother, Lela, presented him with his first instrument, a cornet, and the inspiration to learn.

After a few years of college majoring in pharmacy at Howard University, and formulating his trumpet style, Charles began his professional career with the saxophone giant Jackie Mclean. Making his recording debut with McLean on Blue Note Records in 1964, Charles has since recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Herbie Hancock, The Gerald Wilson Orchestra, Oliver Nelson, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and Max Roach.

Charles Tolliver has been a recipient of the Downbeat Critic’s Choice for the Trumpet category. In 1969 he formed the quartet Music Inc which has become internationally respected for its innovative trumpet quartet approach. Charles and his Music Inc, has toured in North and South America, Europe, Scandinavia, and Japan performing at festivals, concerts, radio and television stations. In 1970 he and his alter ego fellow musician artist Stanley Cowell created Strata-East Records which he has steadfastly kept alive straight into the present. During the ’80s and ’90s he continued touring with his small group, MUSIC INC, and on a number of occasions performed his large ensemble compositions and arrangements as soloist with practically every European Radio/TV Jazz orchestra. Having already issued on his Strata-East label two critically acclaimed big band LPs, “Music Inc & Big Band” and “Impact”, now in the new millennium he once again returned to the big band format. In 2007 he issued on Blue Note Records his big band recording entitled, “With Love” which was immediately Grammy Nominated. The Jazz Journalists Association presented him with the “Best Large Ensemble of the Year 2007” award for his new tour de force group The Charles Tolliver Big Band. In an historic reenactment & presentation at Town Hall in 2009 for the 50th anniversary celebration of Thelonious Monk’s historic 1959 Town Hall concert, he was featured performing his definitive transcription of the lost scores of arranger Hal Overton’s orchestrations of Thelonious’ music exactly as it was performed & recorded for the original concert. His newest big band CD “Emperor March” recorded live at the Blue Note New York City was released in March 2009.

Charles has perfected an extremely individual and distinctive sound which clearly sets him apart from other trumpet players. Characterized by a strong sense of tradition, he said in a recent Downbeat magazine interview about his approach to improvising that, “I like to rumble. I take the most difficult routes for improvisation. It’s easy to play a number of choruses effortlessly and never make a mistake, never break down. That’s no fun. You need to get in hot water by trying something out right from the jump, get yourself out of that, and move on to the next chorus.”

This album contains no booklet.