Weinberg: Symphonies Nos. 3 & 7; Flute Concerto No. 1 City Of Birmingham Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Kirill Gerstein, Marie-Christine Zupancic

• Mieczysław Weinberg (1919 - 1996): Symphony No. 7, Op. 81:
• 1 Weinberg: Symphony No. 7, Op. 81: I. Adagio sostenuto 06:33
• 2 Weinberg: Symphony No. 7, Op. 81: II. Allegro - Adagio sostenuto 05:31
• 3 Weinberg: Symphony No. 7, Op. 81: III. Andante 05:06
• 4 Weinberg: Symphony No. 7, Op. 81: IV. Adagio sostenuto 03:03
• 5 Weinberg: Symphony No. 7, Op. 81: V. Allegro - Adagio sostenuto 10:50
• Flute Concerto No. 1, Op. 75:
• 6 Weinberg: Flute Concerto No. 1, Op. 75: I. Allegro 05:18
• 7 Weinberg: Flute Concerto No. 1, Op. 75: II. Largo 04:46
• 8 Weinberg: Flute Concerto No. 1, Op. 75: III. Allegro comodo 05:58
• Symphony No. 3 in B Minor, Op. 45:
• 9 Weinberg: Symphony No. 3 in B Minor, Op. 45: I. Allegro 11:45
• 10 Weinberg: Symphony No. 3 in B Minor, Op. 45: II. Allegro giocoso 04:59
• 11 Weinberg: Symphony No. 3 in B Minor, Op. 45: III. Adagio 08:55
• 12 Weinberg: Symphony No. 3 in B Minor, Op. 45: IV. Allegro vivace 08:17
• Total Runtime 01:21:01

Info for Weinberg: Symphonies Nos. 3 & 7; Flute Concerto No. 1

After her acclaimed Deutsche Grammophon debut Weinberg: Symphonies Nos. 2 & 21 in 2019, the exceptional conductor continues her very personal mission to make Weinberg's important work accessible to the widest audience possible in outstanding recordings with Weinberg: Symphonies Nos. 3 & 7 and Flute Concerto.

The 3rd Symphony op. 45 tells of a difficult time. Since 1943, Weinberg, who had had to flee his hometown of Warsaw in 1939, had been living and working in Moscow. Dmitri Shostakovich had become a close friend and as an aspiring young composer Weinberg had quickly found his place in the circle of Moscow musicians. Here Weinberg was increasingly criticised for his advanced style of composition.

The 1st Flute Concerto op. 75, composed by Weinberg in 1961, makes a clear reference to Jewish music, especially in the gentle and light-footed waltz gesture of the 3rd movement, which Weinberg himself may have played at Jewish weddings as a young Warsaw pianist.

The 7th Symphony turns out to be a kind of baroque concerto grosso transposed into a contemporary context. In the five movements, which follow one another attaccca, the entire sound spectrum of the string instruments is explored in an interplay between harpsichord and strings.

City Of Birmingham Symphony Orchestra
Deutsche Kammerphilharmonie Bremen
Kirill Gerstein, piano
Marie-Christine Zupancic, flute
Mirga Gražinytė-Tyla, condutor

Mirga Gražinytė-Tyla
was named Music Director of the City of Birmingham Symphony Orchestra in February 2016 following in the footsteps of Sir Simon Rattle, Sakari Oramo and Andris Nelsons. With the start of the 2022/2023 season she assumes the position of principal guest conductor of the CBSO for one season. Winner of the 2012 Salzburg Festival Young Conductors Award, she subsequently made her debut with the Gustav Mahler Youth Orchestra in a symphonic concert at the Salzburger Festspiele.

Recent highlights include a highly acclaimed performance of Britten's War Requiem at the Salzburger Festspiele,her celebrated return to opera with a new production of Janáček's The Cunning Little Vixen, staged by Barrie Kosky, at the Bayerische Staatsoper München in January 2022, numerous European tours with the City of Birmingham Symphony Orchestra, and performances with the London Symphony Orchestra, the NDR Elbphilharmonie, the Swedish Radio Orchestra, Filarmonica della Scala, and the Los Angeles Philharmonic.

Gražinyte-Tyla has electrified audiences as a guest conductor all over the world. In Europe, she has collaborated with the Lithuanian National Symphony Orchestra, the Royal Stockholm Philharmonic, the Beethoven Orchestra Bonn, the Deutsche Radiophilharmonie, the Bavarian Radio Symphony Orchestra, MDR Leipzig, Orchestre Philharmonique de Radio France, Orchestre National de France, the Orchestre National de Lyon, as well as the Chamber Orchestra of Vienna, the Danish National Symphony Orchestra, the Mozarteum Orchestra,the Camerata Salzburg, and the Orchestra of the Komische Oper in Berlin. At the Kremerata Baltica, she has enjoyed a dynamic collaboration with Gidon Kremer on numerous European tours. She has led operas in Munich, Heidelberg, Salzburg, Komische Oper Berlin, and Bern, where she served as Kapellmeister. In North America, she has worked with the orchestras of Philadelphia, Seattle and San Diego and led the Metropolitan Opera Orchestra in her Carnegie Hall debut in May of 2018. With the Los Angeles Philharmonic, Gražinyte-Tyla was a Dudamel Fellow in the 2012-13 season, Assistant Conductor (2014-16), and Associate Conductor (2016-17). She was the Music Director of the Salzburg Landestheater from 2015 until 2017.

An exclusive Deutsche Grammophon Artist since 2018, her first album on the yellow label was released in the spring of 2019. It delighted critics and listeners worldwide and was hailed as an essential contribution to the rediscovery of Mieczysław Weinberg's Œuvre, winning also the Opus Klassik and Grammophon Awards later in 2020. The recording was the result of a cooperation of the City of Birmingham Symphony Orchestra, Kremerata Baltica and Gidon Kremer. A second recording was released by Deutsche Grammophon in November 2019. This features works by her compatriot Raminta Šerkšnytė and was followed by her most recent CD „The British Project" including works by Elgar, Britten, Walton and Vaughan Williams in July 2021.

Gražinyte-Tyla was discovered by the German Conducting Forum (Deutsches Dirigentenforum) in April 2009. A native of Vilnius, Lithuania, she was born into a musical family. Before pursuing her studies at the Music Conservatory in Zurich, she studied at the Music Conservatory Felix Mendelssohn-Bartholdy in Leipzig and at the Music Conservatory in Bologna, Italy. She graduated with a bachelor's degree in choral and orchestral conducting from the University of Music and Fine Arts, Graz, Austria. She has participated in numerous masterclasses and conducting workshops, and has worked with many established conductors and professors, such as Christian Ehwald, George Alexander Albrecht, Johannes Schlaefli, Herbert Blomstedt, and Colin Metters.

Booklet for Weinberg: Symphonies Nos. 3 & 7; Flute Concerto No. 1