Bach | Buxtehude | Bruhns Benoît Mernier

Album info

Album-Release:
2024

HRA-Release:
13.11.2024

Label: Cypres

Genre: Classical

Subgenre: Instrumental

Artist: Benoît Mernier

Composer: Johann Sebastian Bach (1685-1750), Dietrich Buxtehude (1637-1707), Nicolaus Bruhns (1665-1697)

Album including Album cover

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  • Johann Sebastian Bach (1685 - 1750): Fantasia and Fugue in C Minor, BWV 562:
  • 1 Bach: Fantasia and Fugue in C Minor, BWV 562: I. Fantasia 04:58
  • Wachet auf, ruft uns die Stimme in E-Flat major, BWV 645:
  • 2 Bach: Wachet auf, ruft uns die Stimme in E-Flat major, BWV 645 04:21
  • Nun komm, der Heiden Heiland in G Minor, BWV 659:
  • 3 Bach: Nun komm, der Heiden Heiland in G Minor, BWV 659 04:42
  • Dietrich Buxtehude (1637 - 1707): Praeludium in D Minor, BuxWV 140:
  • 4 Buxtehude: Praeludium in D Minor, BuxWV 140 06:23
  • Nun komm, der Heiden Heiland in G Minor, BuxWV 211:
  • 5 Buxtehude: Nun komm, der Heiden Heiland in G Minor, BuxWV 211 02:01
  • Johann Sebastian Bach: Pièce d’orgue, BWV 572:
  • 6 Bach: Pièce d’orgue, BWV 572 10:04
  • Nicolaus Bruhns (1665 - 1697): Nun komm, der Heiden Heiland in G Minor:
  • 7 Bruhns: Nun komm, der Heiden Heiland in G Minor 09:53
  • Johann Sebastian Bach: Allein Gott in der Höh sei Ehr in G Major, BWV 663:
  • 8 Bach: Allein Gott in der Höh sei Ehr in G Major, BWV 663 07:35
  • Ach bleib bei uns, Herr Jesu Christ in B-Flat Major, BWV 649:
  • 9 Bach: Ach bleib bei uns, Herr Jesu Christ in B-Flat Major, BWV 649 02:57
  • Fantasy and Fugue in G Minor, BWV 542:
  • 10 Bach: Fantasy and Fugue in G Minor, BWV 542 12:17
  • Total Runtime 01:05:11

Info for Bach | Buxtehude | Bruhns



The making of this album is the result of several wishes. The organist and composer Benoit Mernier has been heavily involved since 2015 in the construction by Manufacture Thomas of this new instrument at Saint-Loup in Namur, one of the special features of which is to offer an original great organ inspired by two different styles (Central German and North German Baroque), in short the instrument that Bach undoubtedly dreamed of. The great organ of Saint-Loup thus provides an ideal opportunity to address the question of transmission by tracing the relationship between a master (Buxtehude) and two disciples, one very well known (Bach), the other less so (Bruhns). As well as celebrating the advent of this extraordinary new organ and revealing all it's facets, this recording also marks the performer's sixtieth birthday.

Benoît Mernier, organ

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