Marcelle de Manziarly: Chamber Works Cecilia Zilliacus, Kati Raitinen, Bengt Forsberg, Peter Friis Johansson

• Marcelle de Manziarly (1899 - 1989): Piano Trio:
• 1 Manziarly: Piano Trio: I. Grave, rude, sans lenteur 08:41
• 2 Manziarly: Piano Trio: II. Rapide 03:07
• 3 Manziarly: Piano Trio: III. Sans trop de lenteur 05:39
• 4 Manziarly: Piano Trio: IV. Rude, assez vite 05:44
• Nocturne:
• 5 Manziarly: Nocturne 02:39
• Dialogue:
• 6 Manziarly: Dialogue 11:08
• Violin Sonata:
• 7 Manziarly: Violin Sonata: I. Modéré, très simple et expressif 06:32
• 8 Manziarly: Violin Sonata: II. Lent et grave 05:22
• 9 Manziarly: Violin Sonata: III. Tumultueux 10:35
• Trilogue:
• 10 Manziarly: Trilogue: Prologue 04:15
• 11 Manziarly: Trilogue: Premonition 02:41
• 12 Manziarly: Trilogue: Epilogue 02:58
• Total Runtime 01:09:21

Info for Marcelle de Manziarly: Chamber Works

A significant number of women were active as professional composers in inter-war France. Although they worked alongside their male peers and were accepted by concert organisers, performers, critics and audiences alike, they are little known today, and their works are rarely performed in concert or recorded. Composer, conductor, pianist and teacher Marcelle de Manziarly is one of these forgotten musicians. After studying composition with Nadia Boulanger, who became her mentor, and conducting with Felix Weingartner, she pursued a career on both sides of the Atlantic, in France and the United States. Her large and varied œuvre spans virtually the whole of the 20th century and reflects her constant stylistic evolution and transformation. This recording, which contains a number of discographic premières, brings together works composed at different points in her long career, from the Violin Sonata, an early work that already shows exceptional maturity with its harmonies typical of French music at the turn of the century, to the Trilogue with its dissonances and minimalism. Performed by first-rate chamber musicians, these works demonstrate that it is high time to rediscover Marcelle de Manziarly.

Cecilia Zilliacus, violin
Kati Raitinen, cello
Bengt Forsberg, piano
Peter Friis Johansson, piano

Cecilia Zilliacus
”Cecilia is extremely musical and living proof that it ́s always possible to pursue unusual ideas” The Strad, 2018

Over the years, audiences have embraced Cecilia Zilliacus’ equally tantalizing and warm interpretations of everything from the great classical and romantic works to contemporary chamber music and collaborations across genres - from the most prominent symphony orchestras, conductors and composers in Europe, to jazz musicians, folk musicians, singer-song writers and many others.

Exchanges with fellow musicians and communication with the audience are catchwords in the projects she pursues or initiates.

”I want to dwell in contexts where the point is that it ́s me who ́s bringing my distinctiveness to the table - just as the other musicians are bringing theirs - and that our work together becomes more than the sum of the individual parts”

Cecilia Zilliacus’ efforts to draw attention to lesser-known composers, both male and female, have led to a very broad repertoire. She often greets her audiences with compositions written specifically for her.

She collaborates regularly with internationally active musicians, composers and conductors and has recorded a number of acclaimed recordings, several of which have been rewarded with ”Grammis”.

As a soloist, she has performed with most Swedish, as well as many Nordic and European symphony orchestras. Cecilia Zilliacus is the artistic director of Katrina Chamber Music on Åland as well as of the Korsholm Music Festival in Vaasa, Finland. She is also a driving force in the Swedish string trio ZilliacusPerssonRaitinen which has been awarded a number of prizes. The trio are artistic directors of the Stockholm Concert Hall’s chamber music series, ”Äntligen måndag” (Monday, at last).

Zilliacus’ leadership is characterized by an open and spirited inducement to creative processes. She has played a large role in the inflow of Nordic and European composers and artists to Stockholm and Finland.

Cecilia Zilliacus received her education in Stockholm, Sweden and in Cologne, Germany. She is a professor of violin at the Royal College of Music in Stockholm and a member of the Royal Swedish Academy of Music. Her violin of many years is a Nicola Gagliano from the Järnåker Foundation.

Kati Raitinen
combines her work as solo cellist in the Royal Opera Orchestra in Stockholm with wide-ranging engagements in domestic and international chamber-music. As a member of the string trio ZilliacusPerssonRaitinen she has received multiple Swedish Grammy Awards. Besides CD-recordings, she has made numerous recordings for radio and television, the most recent being the official world premiere of Amanda Maier’s piano trio. Kati studied in Helsinki with Prof. Martti Rousi and in Stockholm with Prof. Frans Helmerson. She plays on an unknown Italian instrument, probably from Rome around 1750.

Bengt Forsberg
was born in Edsleskog in 1952. He first sought to train as an organist, but later changed to piano. After continuing his piano studies in Copenhagen and London, he embarked upon a career as a concert pianist, with his repertoire frequently including such relatively unknown and challenging composers as Charles Alkan and Kaikhosru Sorabji. For many years Bengt has been Anne Sofie von Otter’s loyal musical companion in an extensive series of notable recordings for Deutsche Grammophon, for example. The acclaimed album Neglected works for piano presents a wide range of works by composers who have undeservedly remained unheard, including Amy Beach, Vítĕzslava Kaprálová, Ruth Sofia Almén, and Grażyna Bacewicz.

Booklet for Marcelle de Manziarly: Chamber Works