"Je m'abandonne à vous" Songs on poems by Henriette de Coligny, Comtesse de La Suze Marc Mauillon, Angélique Mauillon, Myriam Rignol

• Sébastien Le Camus (1610 - 1677):
• 1 Camus: Je m'abandonne à vous, amoureux souvenir 03:13
• 2 Camus: Ah ! fuyons ce dangereux séjour 02:06
• Anonymous:
• 3 Anonymous: Sans amour et sans tendresse 01:23
• Sébastien Le Camus:
• 4 Camus: Délices des Étés, frais et sombres Bocages 02:42
• 5 Camus: Bois écartés, demeures sombres 03:32
• François Campion (1685 - 1747):
• 6 Campion: J'ai juré mille fois de ne jamais aimer 01:47
• François Dufaut (1604 - 1680):
• 7 Dufaut: Suite en La Min: I. Allemande 03:00
• 8 Dufaut: Suite en La Min: II. Courante 01:18
• 9 Dufaut: Suite en La Min: III. Sarabande 02:27
• 10 Dufaut: Suite en La Min: IV. Gigue 01:35
• Sébastien Le Camus:
• 11 Camus: Laissez durer la nuit, impatiente Aurore 05:40
• Sieur de Machy (1600 - 1692):
• 12 Machy: Pieces de Violle: Prélude 03:25
• Anonymous:
• 13 Anonymous: Vous ne m'attirez point par vos attraits charmants 01:56
• Sébastien Le Camus:
• 14 Camus: Vous ne m'attirez point par vos attraits charmants 03:05
• 15 Camus: Ah ! qui peut tranquillement attendre 03:31
• Bertrand de Bacilly (1621 - 1690):
• 16 Bacilly: Qu'il est propre à se faire aimer 01:12
• Michel Lambert (1610 - 1696):
• 17 Lambert: J'ai juré mille fois de ne jamais aimer 03:45
• Marin Marais (1656 - 1728):
• 18 Marais: Pièces à une et à deux violes, Premier livre: Prélude en Sol 02:34
• Sébastien Le Camus:
• 19 Camus: Il n'est rien dans la vie 01:45
• 20 Camus: Doux printemps 02:03
• Henry Du Mont (1610 - 1684):
• 21 Mont: Laisse-moi soupirer, importune raison 06:50
• Michel Lambert:
• 22 Lambert: Laisse-moi soupirer, importune raison 04:12
• Monsieur Royer:
• 23 Royer: Étoiles d'une nuit plus belle que le jour 03:49
• Sébastien Le Camus:
• 24 Camus: Je sens au coeur un nouveau trouble 01:22
• François Campion:
• 25 Campion: Qu'il est propre à se faire aimer 01:24
• Bertrand de Bacilly:
• 26 Bacilly: Je fuyais sous ces verts ombrages 02:01
• Michel Lambert:
• 27 Lambert: J'aime, je suis aimé 01:52
• Jean de Sainte-Colombe (1640 - 1701):
• 28 Sainte-Colombe: Chaconne en ré 04:20
• Bertrand de Bacilly:
• 29 Bacilly: J'ai voulu suivre une autre Loi 03:25
• Sébastien Le Camus:
• 30 Camus: Un Berger plus beau que le jour 02:12
• 31 Camus: Forêts solitaires et sombres 02:43
• Honoré d'Ambruis (1660 - 1685):
• 32 d'Ambruis: Le doux silence de nos Bois 04:29
• Bertrand de Bacilly:
• 33 Bacilly: Dans ce bocage, où brille une jeune verdure 02:17
• Robert Cambert (1627 - 1677), Honoré d'Ambruis:
• 34 Cambert, d'Ambruis: Sous ces ombrages verts, un Amant le plus tendre 04:08
• Bertrand de Bacilly:
• 35 Bacilly: Savourons à longs traits cet excellent Muscat 02:01
• Sieur de Machy:
• 36 Machy: Pieces de Violle: Gavotte 01:12
• Bertrand de Bacilly:
• 37 Bacilly: Étoiles d'une nuit plus belle que le jour 04:42
• Jean-Benjamin de La Borde (1734 - 1794):
• 38 Borde: Laissez durer la nuit, impatiente Aurore 02:22
• Jean-Baptiste Weckerlin (1821 - 1910):
• 39 Weckerlin: Sans amour et sans tendresse (Conseil d'aimer) 02:39
• Total Runtime 01:49:59

Info for "Je m'abandonne à vous" Songs on poems by Henriette de Coligny, Comtesse de La Suze

Henriette de Coligny, Comtesse de La Suze, was more than just a woman of letters admired in her time, even by the very demanding Boileau. It was as a free woman that she married for love; after the death of her husband, a second one was forced on her, but, still a free woman, she demanded to be ‘de-married’! Surrounded by expert musicians, Marc Mauillon shows us that her précieux poetic universe mixes tenderness with the most unexpected strokes of audacity, so much so that her verse inspired many composers of the Grand Siècle – and after!

Marc Mauillon, baritone
AAngélique Mauillon, harp
Myriam Rignol, viola da gamba

Marc Mauillon
With the extent of his repertoire, his unique tone and his chiseled diction, Marc Mauillon occupies a very personal place on today’s lyrical scene. Sometimes a baritone, sometimes a tenor, this chameleon adapts his colors to the musics he performs as well as the characters he embodies.

On the opera stage, he can personify a «goofy» character (Papageno, Robinet from La Vie Parisienne, Mercurio from Orphée aux enfers, The monk of King Arthur by Shirley & Dino, The Husband from Mamelles de Tirésias by Poulenc, Momo from Orfeo by Rossi, Robert le Cochon by M.O. Dupin), an evil deity (Hatred in Armide by Lully, Tisiphone in Hippolyte et Aricie, Sorceress in Dido & Aeneas), a tragic actor (title roles of Egisto by Cavalli, Orfeo by Monteverdi, Pelléas by Debussy, Adonis by Blow, Pélée in Alcione by Marais…) and even a tragic actress (Raulito in Cachafaz by Strasnoy).

In concert, he sings some Airs de cour (Lambert, Charpentier, Bacilly…), French motets (Charpentier, Lully, Rameau, Desmarest, Campra, Couperin), Italian madrigals (Monteverdi, Gesualdo), sacred or secular cantatas (Bach, Haendel, Vivaldi, Telemann, Monteclair, Clérambault), as well as medieval or Renaissance music programs.

Since the beginning of his career, he has been working with conductors such as W. Christie (he is the laureate of the first Jardin des Voix in 2002), M. Minkowski, R. Pichon, C. Rousset, A. Altinoglu, J. Savall, V. Dumestre, H. Niquet, E. Haïm, L. Campellone, M. Pascal, G. Jourdain… and stage directors such as L. Hemleb, D. Warner, B. Lazar, I. Alexandre, R. Carsen, J. Mijnssen…

Recitals and chamber music are central in his career: he has performed Machaut with Pierre Hamon, Vivabiancaluna Biffi and Angélique Mauillon, Poulenc/Eluard with Guillaume Coppola, les musiciens de la Grande Guerre with Anne Le Bozec, Peri and Caccini with Angélique Mauillon. Recently, he sang the Leçons de Ténèbres by Lambert (released by Harmonia Mundi in 2018) with Myriam Rignol, Thibaut Roussel and Marouan Mankar-Bennis. In his programmes he has always reflected on the link between music, poetry and vocality. In 2016, he creates Songline, a monodic a capella recital,in which music, motion and light intertwine.

This season, he has embodied the four valets in Les Contes d’Hoffmann in Bordeaux, has collaborated with singer Lea Desandre at the Opéra Comique for a series of recitals, and has taken part in the celebration of the 40th anniversary of Les Arts Florissants (London, Hamburg, Baden-Baden, Madrid and Paris). He has also performed in Copenhagen (Orfeo by Monteverdi), will perform at the Liceu in Barcelone (Alcione by Marin Marais in the role of Pelée) and will play Pelléas again in Montpellier. A new recording has also been released in early 2020 by Harmonia Mundi, around the work of Fauré with pianist Anne le Bozec.

Marc Mauillon has taught secular Medieval music interpretation at the Sorbonne (Masters of Ancient Music Interpretation) since 2018.

Angélique Mauillon
After beginning musical studies in her native city of Montbéliard, Angélique Mauillon moved to Lyon where she graduated from the Regional Conservatorium as a student of C. Truant, on modern harp. At the same time, she pursued parallel studies in musicology at the Lyon University. She then decided to specialize in historical instruments and joined the class of Eugène Ferré at the Lyon National Conservatorium. There, Angélique Mauillon received her degree in Early Music and Chamber Music in 2002, with the highest honours. She finished her studies with a postgraduate year at the Scuole Civiche di Milano, under Mara Galassi.

Covering a period from the 13th to the 18th centuries, her wide-ranging interests have led to collaboration with a number of major ensembles. She can be heard on mediaeval harp with Mala Punica, Alla Francesca, Tasto Solo, Canto Coronato or on renaissance harp with Doulce Memoire or Les Jardins de Courtoisie. As soloist or continuo player for baroque repertoire, she has participated in productions with Le Concert d’Astrée, La Fenice, La Rêveuse, Les Paladins, Il Seminario Musicale, etc…

She plays also with her brother, the baryton Marc Mauillon in the medieval project «Le Remède de Fortune» of Machault, and in a recital, «Histoires de famille», witch is about baroque italian music.

Teaching also forms an important part of her activities; Angélique Mauillon teaches historical harps at Tours Conservatory, and Lyon Conservatory.

Booklet for "Je m'abandonne à vous" Songs on poems by Henriette de Coligny, Comtesse de La Suze