Ravel: Symphonic Works (Remastered) Berliner Sinfonie-Orchester & Günther Herbig

• Maurice Ravel (1875 - 1937):
• 1 La Valse 13:59
• 2 Ma mère l'Oye: Pavane de la Belle au bois dormant: Lent 01:36
• 3 Ma mère l'Oye: Petit Poucet: Très Modéré 03:25
• 4 Ma mère l'Oye: Laideronnette, impératrice des pagodes: Mouvement de Marche. 03:39
• 5 Ma mère l'Oye: Les entretiens de la belle et de la bête: Mouvement de valse très Modéré 04:07
• 6 Ma mère l'Oye: Le jardin féerique: Lent et Grave 03:36
• 7 Pavane pour une infante Défunte 06:28
• 8 Boléro 15:19
• Total Runtime 52:09

Info for Ravel: Symphonic Works (Remastered)

An enchanted world – Günther Herbig conducts Ravel Günther Herbig knew the Berlin Symphony Orchestra well, even before being made Principal Conductor in 1977 of what is now the Konzerthaus orchestra. He had deputized in that post from 1966 to 1972. Solo flautist Richard Waage, an orchestra member from 1961 to 2002, also valued the work ethic of his Principal Conductor – notably when it came to the execution of solo parts. “With Herbig things were ‘more open’, when you had worked your way into a certain context, than with other conductors. He allowed you more freedom.” On one occasion when he had the opportunity to see Herbig’s conducting score, he was impressed by how every harmonic step was marked, so that the score bore traces of a musicological analysis.

Solo flautist Richard Waage, an orchestra member from 1961 to 2002, also valued the work ethic of his Principal Conductor – notably when it came to the execution of solo parts. “With Herbig things were ‘more open’, when you had worked your way into a certain context, than with other conductors. He allowed you more freedom. You could offer more as an individual. I liked that a lot.” On one occasion when he had the opportunity to see Herbig’s conducting score, he was impressed by how every harmonic step was marked, so that the score bore traces of a musicological analysis. “This was the mathematical impulse” characteristic, he judged, of Herbig’s way of working.

This architectural, formally structured approach to the music fitted well with the recording technique of those days, which did not allow breakdown into such small steps as today. Arches of tension thus sound more plausible, because there are fewer pieces to put together. “When you have long takes, of course that makes it all more organic,” concludes Richard Waage. It will surely have been these working conditions and the conductor’s specific style that made it possible, even in such an unpretentious piece as the Pavane, “to bring out the character of mourning”, which so moved Jürgen Kögel and other participants.

This recording contains Ravel`s symphonic works La Valse, Ma Mère l'Oye, Pavane pour une infante défunte and last but not least the famous Boléro.

Berliner Sinfonie-Orchester
Günther Herbig, conductor

No biography found.

Booklet for Ravel: Symphonic Works (Remastered)