Scarlatti - Father and Son. Cantatas and Sonatas (con idea humana) Tenta La Fuga

• Alessandro Scarlatti (1660 - 1725): Andate o miei sospiri, H. 53:
• 1 Scarlatti: Andate o miei sospiri, H. 53: I. Andate o miei sospiri. Adagio – Recitativo – Adagio 03:08
• 2 Scarlatti: Andate o miei sospiri, H. 53: II. Se vedrete il cor di lei. Aria 04:01
• 3 Scarlatti: Andate o miei sospiri, H. 53: III. Mà di che mi lusingo? Recitativo 00:55
• 4 Scarlatti: Andate o miei sospiri, H. 53: IV. Se non v'accoglie in seno. Aria 03:33
• Domenico Scarlatti (1685 - 1757): Keyboard Sonata in G Minor, K. 108:
• 5 Scarlatti: Keyboard Sonata in G Minor, K. 108: Allegro 03:43
• Keyboard Sonata in A Minor, K. 109:
• 6 Scarlatti: Keyboard Sonata in A Minor, K. 109: Adagio (Arr. for Cello and Harpsichord by Dirk Börner) 02:30
• Alessandro Scarlatti: Qui dove alfin m'assido, H. 618:
• 7 Scarlatti: Qui dove alfin m'assido, H. 618: I. Qui dove alfin m'assido. Recitativo 01:00
• 8 Scarlatti: Qui dove alfin m'assido, H. 618: II. Ben che amaro si fà caro. Aria 06:26
• 9 Scarlatti: Qui dove alfin m'assido, H. 618: III. Ma, oh Dio che ogni dolore. Recitativo 03:28
• 10 Scarlatti: Qui dove alfin m'assido, H. 618: IV. Quel bel canto è sì grato. Aria 03:08
• Domenico Scarlatti: Keyboard Sonata in F Minor, K. 466:
• 11 Scarlatti: Keyboard Sonata in F Minor, K. 466: Andante moderato 04:00
• Alessandro Scarlatti: Andate o miei sospiri, H. 54. Cantata fatta con idea inhumana, mà inregolato cromatico:
• 12 Scarlatti: Andate o miei sospiri, H. 54. Cantata fatta con idea inhumana, mà inregolato cromatico: I. Andate o miei sospiri. Recitativo 01:41
• 13 Scarlatti: Andate o miei sospiri, H. 54. Cantata fatta con idea inhumana, mà inregolato cromatico: II. Se vedrete il cor di lei. Aria 03:58
• 14 Scarlatti: Andate o miei sospiri, H. 54. Cantata fatta con idea inhumana, mà inregolato cromatico: III. Mà di che mi lusingo? Recitativo 01:35
• 15 Scarlatti: Andate o miei sospiri, H. 54. Cantata fatta con idea inhumana, mà inregolato cromatico: IV. Se non v'accoglie in seno. Aria 03:57
• Domenico Scarlatti: Keyboard Sonata in F-Sharp Minor, K. 25:
• 16 Scarlatti: Keyboard Sonata in F-Sharp Minor, K. 25: Allegro 01:55
• Alessandro Scarlatti: Farfalla che s'aggira, H. 256:
• 17 Scarlatti: Farfalla che s'aggira, H. 256: I. Farfalla che s'aggira. Aria 04:25
• 18 Scarlatti: Farfalla che s'aggira, H. 256: II. Tutto acceso a quei rai. Recitativo 01:32
• 19 Scarlatti: Farfalla che s'aggira, H. 256: III. Quando saggio un pensiero lo sgrida. Aria 03:30
• Domenico Scarlatti: Keyboard Sonata in G Minor, K. 450:
• 20 Scarlatti: Keyboard Sonata in G Minor, K. 450: Allegrissimo 02:50
• Alessandro Scarlatti: Farfalla che s'aggira, H. 256:
• 21 Scarlatti: Farfalla che s'aggira, H. 256: IV. Pur langue tra le pene e tra martiri. Recitativo 01:40
• 22 Scarlatti: Farfalla che s'aggira, H. 256: V. Bramo che le ferite. Aria 08:02
• 23 Scarlatti: Farfalla che s'aggira, H. 256: VI. Così infelice questo cor favella. Recitativo 01:02
• 24 Scarlatti: Farfalla che s'aggira, H. 256: VII. Tenta la fuga. Aria 01:00
• Domenico Scarlatti: Keyboard Sonata in F-Sharp Minor, K. 467:
• 25 Scarlatti: Keyboard Sonata in F-Sharp Minor, K. 467: Allegro 00:53
• Total Runtime 01:13:52

Info for Scarlatti - Father and Son. Cantatas and Sonatas (con idea humana)

Alessandro Scarlatti (1660-1725) and his son Domenico Scarlatti (1685-1757) are today the two best-known representatives of the Scarlatti family of musicians who were active throughout Europe in the 17th and 18th centuries. Alessandro was one of the main exponents of the Neapolitan school and was particularly appreciated for his vocal music (operas, oratorios, cantatas, etc.) during his lifetime. Today, Domenico is most famous for his numerous compositions for keyboard instruments, which were mainly written in Spain. Here, their cantatas are effectively combined with Domenico's sonatas.

Alice Duport-Percier, soprano
Petr Skalka, cello
Dirk Börner, harpsichord

Alice Duport-Percier
grew up in a rich musical universe and very quickly showed a desire to sing. She began singing in the choir at the conservatory of Saint-Priest (69) and then joined the master's class of the Lyon Opera where she took part in numerous operas such as Tchaikovsky's The Queen of Spades, Mozart's Don Giovanni and Berg's Lulu.

She continued her vocal training with Claire Marbot and specialised in early repertoire at the Conservatoire National Supérieur de Musique et de Danse de Lyon with Bruno Boterf, Anne Delafosse, Anne-Catherine Vinay, Monique Zanetti and Robert Expert. This training allowed her to work with great conductors such as Michael Radulescu, Sébastien Daucé or Raphaël Pichon. At the same time, Alice obtained a State Diploma in singing teaching at CEFEDEM Rhône-Alpes in 2016.

Alice will be a semi-finalist of the Corneille competition in September 2017 and of the Froville competition in September 2019. She currently collaborates with many ensembles: Les Kapsbergirls, the ensemble Libera me, Le Duo Darshan, Grissini Project, the Concerto soave, the Chapelle harmonique or Spirito with whom she tackles a very wide repertoire, both learned and popular, ranging from medieval music to the so-called "musique actuelle".

Alice made her operatic debut at the Händelfestspiele Karlsruhe in February 2019 as Oberto in Handel's Alcina under the baton of Andreas Spering. She was praised for her vocal qualities, described as a "crystal clear voice" as well as for her acting abilities in the role of a young boy. Alice sang the role of Love in Gluck's Orpheus and Eurydice in February 2021 (livestream) under the baton of Stefano Montanari at the Zürich Opera House.

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