Hart: Complete Music for Violin & Piano, Vol. 1 Susan Collins & Stephanie McCallum

• Fritz Hart (1874 - 1949): Violin Sonata No. 2 in D Major, Op. 42:
• 1 Violin Sonata No. 2 in D Major, Op. 42: I. Allegro 08:12
• 2 Violin Sonata No. 2 in D Major, Op. 42: II. Finale 07:01
• Violin Sonata No. 3 in G Major, Op. 142:
• 3 Violin Sonata No. 3 in G Major, Op. 142: I. Adagio 13:22
• 4 Violin Sonata No. 3 in G Major, Op. 142: II. Allegro 06:01
• Violin Sonata No. 1 in D Minor, Op. 7:
• 5 Violin Sonata No. 1 in D Minor, Op. 7: I. Allegro moderato 02:12
• 6 Violin Sonata No. 1 in D Minor, Op. 7: II. Adagio – Cantabile nobilmente 11:02
• St. Francis, Op. 117:
• 7 St. Francis, Op. 117: Prelude (Arr. for Violin & Piano) 05:24
• Johann Sebastian Bach (1685 - 1750): Herzlich tut mich verlangen, BWV 727:
• 8 Herzlich tut mich verlangen, BWV 727 (Arr. F. Hart for Violin & Piano) 03:07
• Christ lag in Todesbanden, BWV 625:
• 9 Christ lag in Todesbanden, BWV 625 (Arr. F. Hart for Violin & Piano) 02:20
• Total Runtime 58:41

Info for Hart: Complete Music for Violin & Piano, Vol. 1

The composer and conductor Fritz Hart (1874–1949) led a peripatetic life: London-born, he moved to Australia to tour travelling productions of musicals there and in New Zealand. He soon became a formative figure in Australian musical life as teacher and conductor, but in 1936 left to become the first professor of music at the University of Hawai‘i and permanent conductor of the Honolulu Symphony Orchestra. Hart‘s three violin sonatas – poised but passionate – reveal a musical language influenced by Debussyan Impressionism but also coloured by his own Celtic roots.

Stephanie McCallum, piano
Susan Collins, violin

Susan Collins
The Australian violinist Susan Collins was born in 1966. In a letter to the legendary Josef Gingold, Henryk Szeryng describes Ms Collins as "a remarkably gifted young violinist". In 1981 she was the youngest artist engaged professionally to appear as soloist with the Sydney Symphony Orchestra. Susan received her undergraduate degree at Sydney Conservatorium of Music before going to Berlin where she studied at the Hochschule der Kunste under Thomas Zehetmair in 1989. Ms Collins received her Master of Music degree from Indiana University at Bloomington, studying with Josef Gingold and Yuval Yaron, in 1991.

Despite her numerous professional commitments, Ms Collins commenced work on her Doctor of Creative Arts degree at Wollongong University in 1996, for which she is researching performance practice of contemporary string repertoire. Prior to commencing tertiary study in Australia Ms Collins was the recipient of a scholarship from California State University as well as from the American String Teachers Association enabling one year of study in the USA. Upon returning to Australia, she was awarded many prestigious scholarships and awards available to young Australian musicians. These included the Musicians Scholarship for Overseas Study (1986), the NSW Teachers Association Scholarship (1987), the Sydney Conservatorium's Scarfe Award for Excellence (1987) and a Victorian Arts Council Scholarship to participate in Master Classes with Pinchas Zukerman.

At the completion of her study in Berlin, Ms Collins received a major grant from the Australian Council enabling pursuit and completion of a Masters Degree at Indiana University's School of Music. As a chamber music and orchestral musician, Susan Collins' experience is diverse and wide-ranging. Whilst in Berlin, she was a member of Ensemble Oriol. As a student at Indiana University, she was a member of that institutions distinguished Early Music Ensemble, working and performing with artists including Monica Huggett and John Holloway.

In 1992 Ms Collins returned to Australia. She auditioned for and was awarded the position of Deputy Concertmaster of the Australian Opera and Ballet Orchestra, a position that she has served until the present. Throughout this time Ms Collins has regularly acted as Concertmaster for the AOBO as well as for the Sydney Opera House Orchestra, Queensland Symphony Orchestra, and Adelaide Symphony Orchestra. In addition to the above, Ms Collins' maintains a personal commitment to her class of violin students. She teaches both violin and chamber music at the Sydney Conservatorium of Music, and has directed Ensemble Studies as Wollongong University.

Stephanie McCallum
Described as "one of Australia's foremost pianists", Stephanie McCallum has enjoyed an international career, appearing on over forty CDs (including twenty solo CDs) and in hundreds of live solo and concerto performances. Playing a repertoire from the eighteenth to the twenty first century she is especially noted for her performances of virtuosic music of the nineteenth century, particularly the music of Liszt and Alkan, and also for her advocacy of demanding contemporary solo and ensemble scores. Her CDs of the music of Liszt, Weber, Alkan, Schumann, Magnard, Boulez, Xenakis and of contemporary Australian composers have received widespread national and international acclaim (click here for reviews). Stephanie's most recent releases include a disc of previously unrecorded music by French composer Guy Ropartz and two CDs of the complete Chants of Alkan. Her recording of Beethoven's complete Bagatelles, contains not only the popular Für Elise, but also the first recording of a previously unpublished and uncatalogued piano piece which is believed to be the last piano piece that Beethoven wrote.

Stephanie McCallum is an Associate Professor in piano at the Sydney Conservatorium of Music, University of Sydney. She was born in Sydney, Australia, and studied at the Sydney Conservatorium of Music with Alexander Sverjensky and with noted Liszt player, Gordon Watson. After advanced studies in England with Alkan expert, Ronald Smith, she presented a critically acclaimed Wigmore Hall debut in 1982 where she gave what is believed to be the first performance of Alkan’s Chants, Op. 70. She is also credited with the first complete performance of Alkan’s Trois Grandes Études, Op. 76 in London (see Ronald Smith: Alkan, who was Alkan?, V. II The Music (London: Kahn & Averill, 1987), p. 90). Stephanie McCallum has appeared extensively as a soloist in the United Kingdom, France and Australia, has toured Europe with The Alpha Centauri Ensemble. Recently she presented lecture recitals at the Royal College of Music and the Purcell School, London.

Stephanie McCallum has made many appearances as soloist in the Sydney Festival, and performed in Brighton, Cheltenham, Huddersfield, and Sydney Spring Festivals. A noted exponent of contemporary music, Stephanie was a founding member of the contemporary ensembles AustraLYSIS and Sydney Alpha Ensemble and was joint artistic director of the latter since its inception. She has performed with such groups as the Australian Chamber Orchestra, ELISION and The Australia Ensemble. Stephanie has appeared as soloist on two CDs by the Sydney Alpha Ensemble, Strange Attractions, and Clocks (featuring works of Elena Kats-Chernin). In 2000, she gave the world premier of Kats-Chernin’s Displaced Dances with the Queensland Symphony Orchestra, a piano concerto written especially for her and has performed concertos with the Sydney, Adelaide, Tasmanian and Canberra Symphony orchestras. With the release in 2006 of a 2 CD set of Alkan's Douze études dans les tons mineurs, (described by Hugh Macdonald as "the Alps and the Himalayas of pianism, the one superimposed on the other") she is the first pianist ever to have recorded both of Alkan's sets of studies in the major and the minor keys (opus 35 and opus 39).

Stephanie’s solo recordings for ABC Classics also include a disc of the music of Satie, a two disc set of the complete piano sonatas of Weber, Illegal Harmonies: The 20th Century Piano, and Perfume, a best-selling disc of rare and exquisite French piano music. Two CDs of music by Liszt, The Liszt Album and From the Years of Pilgrimage were released in 2003.

This album contains no booklet.