Bach: Harpsichord Partitas, BWV 825-830 Jory Vinikour

• Johann Sebastian Bach (1685 - 1750): Partita No.1 in B.flat BWV 825:
• 1 I. Prelude 02:08
• 2 Harpsichord Partita No. 1 in B-Flat Major, BWV 825: II. Allemande 03:49
• 3 III. Corrente 02:59
• 4 IV. Sarabande 05:28
• 5 V. Minuet I-II 02:59
• 6 VI. Gigue 02:31
• Partita No.2 in C minor BWV 826:
• 7 I. Sinfonia 04:27
• 8 II. Allemande 05:29
• 9 III. Courante 02:37
• 10 IV. Sarabande 03:12
• 11 V. Rondeaux 01:44
• 12 VI. Capriccio 03:50
• Partita N0.3 in A minor BWV 827:
• 13 I. Fantasia 02:45
• 14 II. Allemande 03:11
• 15 III. Corrente 03:14
• 16 IV. Sarabande 03:53
• 17 V. Burlesca 02:15
• 18 VI. Scherzo 01:12
• 19 VII. Gigue 03:22
• Partita No.4 in D major BWV 828:
• 20 I. Ouverture 06:05
• 21 II. Allemande 11:08
• 22 III. Courante 03:56
• 23 IV. Aria 02:16
• 24 V. Sarabande 05:29
• 25 VI. Menuet 01:28
• 26 VII. Gigue 04:24
• Partita No.5 in G major BWV 829:
• 27 I. Praeambulum 02:30
• 28 II. Allemande 06:08
• 29 III. Corrente 01:55
• 30 IV. Sarabande 05:23
• 31 V. Tempo di minuetto 02:02
• 32 VI. Passepied 01:53
• 33 VII. Gigue 04:09
• Partita No.6 in E minor BWV 830:
• 34 I. Toccata 08:02
• 35 II. Allemande 03:15
• 36 III. Corrente 05:28
• 37 IV. Air 01:32
• 38 V. Sarabande 06:57
• 39 VI. Tempo di Gavotta 02:08
• 40 VII. Gigue 06:19
• Total Runtime 02:33:32

Info for Bach: Harpsichord Partitas, BWV 825-830

The six partitas for harpsichord by Johann Sebastian Bach are among the greatest and most inspired works of all keyboard literature. Although they are the first works that Bach decided to publish, they represent the composer's genius at the height of his maturity, matched only by the Goldberg Variations. Performed on a stunning copy of a North German instrument of Bach's time, rich and expressive, but also clear and incisive, built by Tom and Barbara Wolf, each of the partitas is a microcosm, ranging from the poetic and pastoral (no. 1, in B flat Major), to the epic and tragic (no. 6, in e minor). Bach shows himself to be playful, profound, meditative, theatrical, virtuoso - and always the greatest composer of counterpoint of all time. The six partitas represent the apotheosis not only of Bach's unique keyboard language, and the expressive possibilities of the harpsichord, but in the inherent range of colors and contrasts within the confines of a suite.

To a greater extent than in the other sets of suites, each of the six partitas seems to establish its own distinct character, which is developed throughout the suite. As with the English Suites, each of the partitas opens with a prélude. However, these movements are widely varied in form as well as in mood. Although each of the the six partitas contains the standard suite movements (apart from the c minor partita, which foregoes the customary gigue in favor of a Capriccio), these movements show the most striking variety.

His debut recording for Sono Luminus, The Complete Harpsichord Works of Jean-Philippe Rameau (DSL-92154), was nominated for a GRAMMY® award, in the category of Best Classical Solo Instrumental Recording in 2013. His follow-up recording, Toccatas: Modern American Music for Harpsichord received the same honor two years later.

Jory Vinikour, harpsichord

Jory Vinikour
is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world’s most important festivals and concert halls as recital and concerto soloist, partner to several of today’s finest artists.

Born in Chicago, Jory Vinikour came to Paris on a Fulbright scholarship to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public’s attention, and he has since appeared in festivals and concert series throughout much of the world.

A concerto soloist with a repertoire ranging from Bach to Poulenc to Nyman, he has performed as soloist with leading orchestras including Rotterdam Philharmonic, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, Netherlands Chamber Orchestra, MDR Symphony Orchestra,Cape Town Symphony Orchestra, Moscow Chamber Orchestra, and the Royal Scottish National Orchestra, with conductors such as Stéphane Denève, Martin Haselböck, Marek Janowski, Armin Jordan, Benjamin Levy, Fabio Luisi, Marc Minkowski, John Nelson, Gordan Nikolic, Constantine Orbelian, Victor Yampolsky, et al. He participated in a recording of Frank Martin’s Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005).

Well-known as an accompanist, he has worked extensively with artists such as David Daniels, Hélène Delavault, Vivica Genaux, Magdalena Kozena, Annick Massis, Marijana Mijanovic, Dorothea Röschmann, Rolando Villazon ... He has accompanied legendary Swedish mezzo-soprano Anne Sofie von Otter in recitals in Sweden, Norway, Spain and Paris and at La Scala in Milan. With lutenist Jakob Lindberg, their programme of English and Italian music of the 17th century, entitled Music for a While was released by Deutsche Grammophon in early 2005.

As an active exponent of contemporary repertoire for the harpsichord, he has given the premieres of works by composers such as Harold Meltzer and Frédéric Durieux, Stephen Blumberg, Patricia Morehead, Graham Lynch, etc. written for him. He has also given important performances of works by Ligeti and Michael Nyman, as well as several 20th century concerti, including Cyril Scott’s 1937 Harpsichord Concerto, which Mr. Vinikour prepared and edited for Novello editions. Sono Luminus will release his recording of 20th century (and beyond) American harpsichord works in late 2013.

Mr. Vinikour appears regularly as harpsichordist at the finest opera houses and festivals in Europe : Paris Opera, Netherlands Opera, Salzburg Festival, Teatro Real de Madrid, Baden-Baden, Glyndebourne, etc. in Baroque and Classical repertoire, as well as in more contemporary works (notably Stravinsky's The Rake's Progress and Zimmermann's Die Soldaten) and is heard on many recordings from Deutsche Grammophon, EMI, Erato, Sony Classics et al.

His recording of Bach’s Goldberg Variations, released on Delos International in 2001 received excellent reviews throughout the world. John von Rhein of the Chicago Tribune named it as one of 2001’s top ten classical CD’s, an honor that was also accorded to Mr. Vinikour’s recording of Bach’s Toccatas in 1999. Mr. Vinikour’s 2009 Delos release of Handel’s 1720 Suites for Harpsichord has received wide critical acclaim (American Record Guide naming it the finest recording of these works). Partnering with flautist Joshua Smith, their recording of Bach’s sonatas for flute and harpsichord is garnering attention from around the world. His debut recording for Sono Luminus, the complete harpsichord works of Jean-Philippe Rameau, was nominated for a Grammy® award, in the category of Best Classical Solo Instrumental Recording in 2012.

Recent appearances include his debut as conductor/soloist with the Hong Kong Philharmonic, as well as an appearance with the Chicago Lyric Opera in Handel's Rinaldo - earning exceptional praise from the press. He performed Poulenc's Concert Champêtre with the Nertherlands Radio Chamber Orchestra, under Benjamin Levy's direction. Mr. Vinikour directed the Korea Chamber Orchestra (Seoul) in an all-Bach programme in May, 2012, and was guest director of musicAeterna (based in Perm, Russia) in a mixed programme, and has co-directed (with violinist Monica Huggett) Juilliard415 Baroque Orchestra at Carnegie Hall, accompanying soprano Dorothea Röschmann and counter-tenor David Daniels. Mr Vinikour has given master-classes for Rocky Ridge (Colorado) Music Center, the Austrian Baroque Academy in Gmunden, Austria; the European Academy at the Palazzo Ricci Montepulciano; the University of Chicago, the Gnessin Academy, and the Tchaikowsky Conservatory.

Booklet for Bach: Harpsichord Partitas, BWV 825-830