Strauss: Don Quixote - Ibert: Le Chevalier errant Amihai Grosz, Jian Wang, Orchestre National de Lyon & Nikolaj Szeps-Znaider

• Richard Strauss (1864 - 1949): Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3:
• 1 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: I. Introduktion. Mässiges Zeitmass 06:02
• 2 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: II. Don Quixote, Der Ritter von der Traurigen Gestalt 01:04
• 3 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: III. Sancho Panza 01:16
• 4 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: IV. Variation 1. Gemächlich 02:31
• 5 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: V. Variation 2. Kriegerisch 01:35
• 6 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: VI. Variation 3. Mässiges Zeitmass 08:18
• 7 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: VII. Variation 4. Etwas Breiter 01:49
• 8 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: VIII. Variation 5. Sehr Langsam 04:05
• 9 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: IX. Variation 6. Schnell 01:15
• 10 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: X. Variation 7. Ein Wenig Ruhiger als Vorher 01:16
• 11 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: XI. Variation 8 01:45
• 12 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: XII. Variation 9. Schnell und Stürmisch 01:06
• 13 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: XIII. Variation 10. Viel Breiter 04:22
• 14 Strauss: Don Quixote, Fantastic Variations on a Theme of Knightly Character, Op. 3: XIV. Finale. Sehr Ruhig 05:25
• Jacques Ibert (1890 - 1962): Le Chevalier errant:
• 15 Ibert: Le Chevalier errant: I. Les moulins 04:36
• 16 Ibert: Le Chevalier errant: II. Danse des galériens 04:40
• 17 Ibert: Le Chevalier errant: III. L'âge d'or 13:06
• 18 Ibert: Le Chevalier errant: IV. Les comédiens. Finale 07:59
• Total Runtime 01:12:10

Info for Strauss: Don Quixote - Ibert: Le Chevalier errant

The Orchestre National de Lyon and its new musical director Nikolaj Szeps-Znaider have embarked on a collaboration with Channel Classics, which will involve several recordings combining the great works of the repertoire with lesser-known pieces. Recognised as one of the pre-eminent violinists of our time, Nikolaj Szeps-Znaider has developed an international career as a conductor, now leading some of the world's greatest orchestras. On this album, Strauss & Ibert, violist Amihai Grosz and cellist Jian Wang take on the musical roles of Sancho Panza and Don Quixote in Strauss’s virtuoso tone poem Don Quixote. The symphonic suite from Jaques Ibert’s Le chevalier errant also depicts moments from Cervantes’ Don Quixote, replete with scenes from the knight’s adventures including the famous battle in The Windmills, the Dance of the Galley Slaves and various dances including a flamenco.

Amihai Grosz, viola
Jian Wang, cello
Orchestre National de Lyon
Nikolaj Szeps-Znaider, conductor

Amihai Grosz
After a career with the Jerusalem Quartet, of which he was a founder member, Amihai Grosz became principal viola of the Berliner Philharmoniker, a position he still holds today, while pursuing a brilliant solo career. He initially studied the violin before switching to the viola at the age of eleven. He was taught by David Chen in Jerusalem, then by Tabea Zimmermann in Frankfurt and Berlin. He also studied in Tel Aviv with Haim Taub, who exerted a decisive influence on him.

As a soloist, Grosz has collaborated with such conductors as Zubin Mehta, Klaus Mäkelä, Daniel Barenboim and Sir Simon Rattle. He plays chamber music with Yefim Bronfman, Mitsuko Uchida, Daniel Hope, Éric Le Sage, Janine Jansen, Julian Steckel, Daishin Kashimoto and David Geringas. During the 2021/22 season, Amihai Grosz was Artistic Director of the Utrecht International Chamber Music Festival.

He plays a Gasparo da Salò viola from 1570, which has been loaned to him for life by a private collection.

Jian Wang
Jian’s recent and future highlights include concerts with the Philharmonia, Netherlands Radio Philharmonic, Chicago Symphony, NHK Symphony, Hong Kong Philharmonic, Singapore and Melbourne Symphony Orchestras. These concerts have been with many of the greatest conductors, such as Myung-Whun Chung, Dausgaard, Dudamel, Elder, Eschenbach, Gilbert, Daniel Harding, Neeme Järvi, Louis Langrée, van Zweden, Mark Wigglesworth and Szeps-Znaider.

Amongst his many high-profile concerts in China, he has opened the season for the China Philharmonic, Shanghai Symphony and Macau Symphony orchestras as well as performing with the China National Orchestra and Hangzhou Symphony. Jian was the first ever Artist-in-Residence for both the Shanghai Symphony Orchestra and the National Center for Performing Arts in Beijing; the latter included his performance of the complete Bach Cello Suites. He has an extensive discography with DGG, including the Bach Cello Suites and the Brahms Double Concerto with the Berliner Philharmoniker, Claudio Abbado and Gil Shaham and chamber music with Maria João Pires and Augustin Dumay.

Jian is a Professor at the Shanghai Conservatory. His instrument is graciously loaned to him by the family of the late Mr. Sau-Wing Lam.

Nikolaj Szeps-Znaider
is one of those rare musicians who has “transitioned uncommonly well to the podium, bringing his violinist’s insight and profound musicality” (Cleveland.com). The 23/24 season marks his fourth as Music Director of the Orchestre National de Lyon, a partnership that has already been extended until 26/27.

Szeps-Znaider regularly features as guest conductor with some of the world’s leading orchestras, with recent and forthcoming performances with the Cleveland Orchestra, NDR Elbphilharmonie, Bamberg Symphony, Oslo Philharmonic and Royal Liverpool Philharmonic. An imminent return to the Chicago Symphony continues a flourishing relationship with the orchestra: ‘his mastery showed in a thousand details[…]. An almost steely clarity marked every measure of the performance, and yet the conductor never lost sign of the music’s essential humanity, its vitality and warmth (Chicago On The Aisle). On the operatic front, following an outstandingly successful debut conducting ‘The Magic Flute’ at the Dresden Semperoper, Szeps-Znaider was immediately re-invited to conduct ‘Der Rosenkavalier’ in Autumn 2019. He also recently made his debut with the Royal Danish Opera and the Zurich Opera House with new productions of ‘The Magic Flute’.

Also a virtuoso violinist, Szeps-Znaider maintains his reputation as one of the world’s leading exponents of the instrument with a busy calendar of concerto and recital engagements. This season, he makes appearances with the Danish National Symphony, New York Philharmonic, Cleveland Orchestra, Israel Philharmonic as well as the Chicago Symphony and Singapore Symphony, where he will combine both his playing and conducting abilities. He will also be making his highly anticipated return to London’s Wigmore Hall, performing with pianist and long-time collaborator Saleem Ashkar.

Szeps-Znaider boasts an extensive discography of much of the core repertoire for violin. A complete collection of Mozart’s Violin Concertos with the London Symphony Orchestra, where Szeps Znaider directs from the violin, led The Strad to declare his playing as “possibly among the most exquisite violin sound ever captured on disc”. Other recordings of particular note include the Nielsen Violin Concerto with Alan Gilbert and the New York Philharmonic, the Elgar Concerto in B minor with Sir Colin Davis and the Dresden Staatskapelle, award-winning recordings of the Brahms and Korngold concertos with Valery Gergiev and the Vienna Philharmonic, the Beethoven and Mendelssohn concerti with Zubin Mehta and the Israel Philharmonic, the Prokofiev Concerto No. 2 and Glazunov Concerto with Mariss Jansons and the Bavarian Radio Symphony, and the Mendelssohn Concerto on DVD with Riccardo Chailly and the Gewandhaus Orchestra. Szeps-Znaider has also recorded the complete works of Brahms for violin and piano with Yefim Bronfman.

Szeps-Znaider is passionate about supporting the next generation of musical talent, and is President of the Nielsen Competition, which takes place every three years in Odense, Denmark. He plays the “Kreisler” Guarnerius “del Gesu” 1741 on extended loan to him by The Royal Danish Theatre through the generosity of the VELUX Foundations, the Villum Fonden and the Knud Højgaard Foundation.

This album contains no booklet.