Shostakovich: Symphonies Nos. 1 and 6 Vladimir Jurowski & Russian National Orchestra

Album info

Album-Release:
2006

HRA-Release:
16.06.2011

Label: PentaTone

Genre: Classical

Subgenre: Orchestral

Artist: Vladimir Jurowski & Russian National Orchestra

Composer: Dmitry Shostakovich (1906–1975)

Album including Album cover

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  • Symphony No. 1 in F minor Op. 10
  • 1 I. Allegretto - Allegro non troppo 08:38
  • 2 II. Allegro 05:16
  • 3 III. Lento - Largo 09:54
  • 4 IV. Allegro molto - Largo - Piu mosso - Presto 10:19
  • Symphony No. 6 in B minor Op. 54
  • 5 I. Largo 19:59
  • 6 II. Allegro 05:15
  • 7 III. Presto 07:11
  • Total Runtime 01:06:32

Info for Shostakovich: Symphonies Nos. 1 and 6

These performances of the first and sixth symphonies were recorded October 2004 at the DZZ Studio in Moscow with Job Maarse as producer. Jurowski's vivid performances have been well captured by the engineering staff—there is richness as well as impact.

“The Russian National Orchestra's relatively lean, frosty sonority, only partly a product of divided violins, is presented with outstanding fidelity in a spacious acoustic. While both performances are excellent, the Sixth receives the more remarkable interpretation.

Here Shostakovich can be Beethovenian in his allocation of seemingly unworkable metronome marks and most conductors blunt his excesses. Leonard Bernstein, one of the few to give credence to the Largo's broad opening indication of quaver=72, makes the Scherzo into something ambivalent and dogged, a more 'logical' transition to the Presto finale than the composer seems to intend. Yevgeny Mravinsky, altogether brisker in that Scherzo, attempts to articulate its substance at dotted crochet=144 (the dot missing from my score can reasonably be inferred). Only this comes after a first movement incontrovertibly more fluid than quaver=72.

It's Jurowski who proves the most faithful, almost too dour as the argument gets underway, yet potently conveying the near-paralysis at its heart. The second movement is a fierce whirlwind outpacing even Mravinsky, a gambit that only occasionally sounds like a gabble. Perhaps there have been more exhilarating finales but this one has grace as well as the necessary vulgarity. All in all a remarkable achievement.” (GRAMOPHONE)

Russian National Orchestra
Vladimir Jurowski, Conductor

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