Evertina Lubomyr Melnyk
Album info
Album-Release:
2014
HRA-Release:
10.11.2015
Label: Erased Tapes
Genre: Instrumental
Subgenre: Piano
Artist: Lubomyr Melnyk
Composer: Lubomyr Melnyk
Album including Album cover
- 1 Evertina 05:17
- 2 Awaiting 05:39
- 3 Butterfly (For Solo Piano) 12:38
Info for Evertina
Erased Tapes first introduced Lubomyr Melnyk and his unique continuous music technique to a wider audience with ‘Corollaries’, an album produced by Peter Broderick in 2013. Now he returns with a 24-minute mini album entitled 'Evertina'. Featuring three newly composed solo piano pieces, the long-form EP showcases another side to Lubomyr Melnyk – his more gentle and melodic work.
In 2012 Lubomyr's ears began to notice the remarkable tonal depth of upright pianos. To Lubomyr the upright piano sound is like a natural forest of microcosmic colours. 'Evertina' and 'Awaiting' were created on a middle-aged upright piano at a friend's home in New York in October 2012 – just before Hurricane Sandy hit the city. Some children were listening to Lubomyr as he played in a hotel lobby in Cologne and 'Butterfly' is the piece that he made for them. It was recorded on a battered grand piano somewhere in Switzerland in late 2013, with the lid closed down to soften the effect.
Lubomyr Melnyk, piano
Lubomyr Melnyk
is a true innovator, exploring new directions for contemporary music. Classically trained and greatly affected by the minimalist movement in the early 1970s, the Ukrainian pianist developed his own unique language for the piano, named after the principle of maintaining a continuous, unbroken stream of sound. Melnyk has shown a remarkable devotion to the instrument, always striving to discover new ways of composing music in the continuous mode. His focus is on the actual sound of the piano as much as the harmonies and melodies of the music. Playing rapid and complex note patterns made Lubomyr one of the world’s fastest concert pianists. His virtuoso piano technique forms overtones that blend, collide or even create new melodies in rare moments, and thereby shape the composition beyond its original form. To accomplish this requires a special technique, one that has taken Melnyk many years to master. To witness one of his rare live performances is nothing short of a mind-opening experience.
This album contains no booklet.