Rachmaninov: Morceaux de Fantaisie / Etudes-Tableaux / Variations on a Theme of Corelli Nareh Arghamanyan

• Sergey Rachmaninov (1873-1943): Morceaux de fantaisie, Op. 3
• 1 No. 1. Elegie in E flat minor 05:44
• 2 No. 2. Prelude in C sharp minor 03:55
• 3 No. 3. Melodie in E major 04:20
• 4 No. 4. Polichinelle in F sharp minor 03:36
• 5 No. 5. Serenade in B flat minor 03:39
• Etudes-tableaux, Op. 33
• 6 No. 1 in F minor - Allegro non troppo 02:41
• 7 No. 2 in C major - Allegro 02:23
• 8 No. 3 in C minor - Grave 04:38
• 9 No. 4 in D minor - Moderato 03:04
• 10 No. 5 in E flat minor - Non allegro 01:44
• 11 No. 6 in E flat major - Allegro con fuoco 01:43
• 12 No. 7 in G minor - Moderato 04:05
• 13 No. 8 in C sharp minor - Grave 03:37
• Variations on a Theme of Corelli, Op. 42
• 14 Theme - Andante 00:57
• 15 Variations 1-7 04:06
• 16 Variations 8-12 03:34
• 17 Variation 13 - Agitato 00:31
• 18 Intermezzo 01:39
• 19 Variations 14-20 05:44
• 20 Coda - Andante 01:27
• Total Runtime 01:03:07

Info for Rachmaninov: Morceaux de Fantaisie / Etudes-Tableaux / Variations on a Theme of Corelli

In her early twenties the Armenian pianist Nareh Arghamanyan, winner of the 2008 Montreal International Music Competition, belongs to the promising generation of today’s fine pianists. The last season saw Nareh Arghamanyan making an impressive New York debut at the Frick collection as well as at San Francisco Performances, resulting in a reinvitation to their 'Young Master Series'. In concert she performed Saint-Saëns 5th concerto with the Winnipeg Symphony, the Saint-Saëns 2nd with I Musici de Montreal, and the 'Emperor' concerto with the McGill Chamber Orchestra. Nareh Arghamanyan has appeared with the Mont Blanc Symphony France, Moscow Chamber Orchestra and the Armenian Philharmonic. In this new PentaTone release, she now turns her formidable talent towards the compositions of Rachmaninoff.

'Nareh Arghamanyan has developed by leaps and bounds since her 2008 Concours Musical International de Montréal victory, followed by a debut solo disc containing proficient yet overly rhapsodic performances of Liszt’s B minor and Rachmaninov’s B-flat minor sonatas. Arghamanyan’s new all-Rachmaninov recital reveals a more disciplined, controlled, architecturally aware, and expressively sophisticated artist.

The Corelli Variations benefit from the Armenian pianist’s unified tempo relationships and overall symphonic approach in terms of rhythmic discipline, intelligently scaled dynamics, and a wide range of tone colors. Notice, for example, the wonderfully unfolding continuity she achieves by linking Variations 5, 6, and 7, even though the latter seems a bit slow in relation to the composer’s Vivace directive. Conversely, Arghamanyan enlivens Variation 3’s “question and answer” dynamic contrasts with specifically characterized accelerations. Variation 8’s myriad tempo modifications, however, are Rachmaninov’s own, and Arghamanyan proportions them to utter perfection. While the scherzando Variation 10 could be communicated in a lighter, more playful manner, Variation 12’s marcato and legato contrasts truly hit home. Listen also to how Arghamanyan shapes the Intermezzo’s rhetorical phrases and virtuosic filigree more or less in tempo, yet with seemingly boundless nuance.

The shorter pieces prove no less absorbing. Arghamanyan’s thoughtful textural layering of the C-sharp minor Prelude Op. 3 No. 2 amounts to a newly minted rendition of an overplayed warhorse. She markedly differentiates the B-flat minor Serenade’s expansive cantabiles and quiet stabbing chords much as the composer did in his classic 1940 recording. Each one of the Op. 33 Etudes-Tableaux fuses virtuosic refinement, textural clarity, and a gift for revealing the narrative behind the melodies that many younger pianists lack. Out of curiosity I compared Arghamanyan’s C major Op. 33 No. 2 alongside Yuja Wang’s contemporaneous DG recording, and wound up preferring Arghamanyan for her more expansive phrasing and riper sonority, helped by PentaTone’s full-bodied, lifelike multi-channel sonics. Arghamanyan’s own booklet notes discuss her responses to the music in eloquent, articulate, and refreshingly non-indulgent prose. A terrific release in every way.' (Jed Distler, ClassicsToday.com)

Nareh Arghamanyan, piano

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Booklet for Rachmaninov: Morceaux de Fantaisie / Etudes-Tableaux / Variations on a Theme of Corelli