Reynaldo Hahn: Le Dieu Bleu (Live) Dylan Corlay & Les Frivolités Parisiennes

• Reynaldo Hahn (1874 - 1947): Le dieu bleu:
• 1 Hahn: Le dieu bleu: Prélude (Live) 02:58
• 2 Hahn: Le dieu bleu: Première danse (Live) 03:34
• 3 Hahn: Le dieu bleu: Danse des Porteuses d'offrandes et des Musiciennes (Live) 01:32
• 4 Hahn: Le dieu bleu: Danse des Bayadères du Lotus (Live) 03:12
• 5 Hahn: Le dieu bleu: Danse des Yoghis (Live) 03:28
• 6 Hahn: Le dieu bleu: Scène de la jeune fille (Live) 01:57
• 7 Hahn: Le dieu bleu: Danse des Souvenirs (Live) 03:01
• 8 Hahn: Le dieu bleu: Colère des Prêtres (Live) 02:26
• 9 Hahn: Le dieu bleu: Clair de lune (Live) 03:08
• 10 Hahn: Le dieu bleu: Monstres et Démons (Live) 01:37
• 11 Hahn: Le dieu bleu: Le Miracle (Live) 01:36
• 12 Hahn: Le dieu bleu: La Déesse paraît (Live) 02:14
• 13 Hahn: Le dieu bleu: Le dieu bleu. Danse et scène (Live) 05:40
• 14 Hahn: Le dieu bleu: L'enchantement divin (Live) 04:05
• 15 Hahn: Le dieu bleu: Les amants se réunissent. Danse et scène (Live) 02:14
• 16 Hahn: Le dieu bleu: L'escalier d'or et la montée du Dieu (Live) 03:58
• Total Runtime 46:40

Info for Reynaldo Hahn: Le Dieu Bleu (Live)

Les Frivolites Parisiennes return to b-records with a revival of Le Dieu Bleu, a ballet by Michel Fokine which premiered in 1912, and whose music by Reynaldo Hahn had not been heard in France since then. This was an exceptional project performed with a full symphonic orchestra of more than seventy musicians. The live recording is a measure of their great attention to detail.

Les Frivolites Parisiennes
Dylan Corlay, musical direction

Dylan Corlay
Unanimous winner of the 6th Jorma Panula International Conducting Competition in November 2015, Dylan Corlay is a dynamic, inspirational conductor, praised for the accuracy and depth of his interpretation.

From 2015-17 he was Assistant Conductor of Ensemble InterContemporain, in residence at the Philharmonie de Paris, under the artistic direction of Matthias Pintscher. Dylan Corlay made his début at Oper Frankfurt in March 2017, conducting Berlioz’s epic 5-act opera, Les Troyens, and he later worked on the award-winning Warner recording of the opera as assistant conductor to John Nelson, with Michael Spyres, Joyce DiDonato and the Orchestre Philharmonique de Strasbourg.

Other engagements for this season and beyond include the Orchestre National de Lyon, Orchestre Philharmonique de Strasbourg, Orchestre de Chambre de Paris, Orchestre National de Lille, Orchestre National d’Ile de France, Orchestre Symphonique de Tours, Orchestre National des Pays de la Loire, Orchestre Philharmonique de Radio France, Orchestre Lamoureux, Orchestre de Chambre Nouvelle-Aquitaine, Orchestre National du Capitole de Toulouse, Orchestre National de France, Joensuu City Orchestra, Berner Symphonieorchester, Orchestre de Chambre de Lausanne and the Orchestre Philharmonique du Luxembourg, together with a Netherlands tour with Ensemble InterContemporain.

Born in Vitré, France, Dylan Corlay graduated from the Conservatoire National Supérieur de Musique et de Danse de Paris with diplomas in orchestral conducting, bassoon, chamber music, harmony, improvisation, and teaching, winning several prizes. He also trained in trumpet, guitar, piano and ondes Martenot. Having furthered his bassoon studies with Marco Postingel at the Universität Mozarteum in Salzburg, he performed with many major French and European orchestras under the baton of such renowned conductors as Tugan Sokhiev, Philippe Jordan, Myung-Whun Chung and Pierre Boulez. Dylan Corlay was trained in conducting by Jean-Sébastien Béreau, Gianluigi Gelmetti, Jorma Panula, Atso Almila and Péter Eötvös.

A committed and passionate teacher and a natural communicator, Dylan Corlay has conducted the concert and symphony orchestras at the Conservatoire de Tours since September 2013, works regularly with the Démos project in Metz and has run courses in conducting and sound painting in France, Japan and Brazil. He also composes and arranges, winning the Best Film Music award at the International Festival of Short Films in Hamburg in June 2010 with one of his compositions.

Dylan Corlay has a wide repertoire, and has met with considerable success as a composer, director and performer of contemporary and multidisciplinary musical productions involving musicians, dancers, actors and artists, and has received equally enthusiastic reviews for his interpretations of the works of Mozart, Beethoven, Schumann and Debussy.

2019 saw the première of his Pirate Concerto with l’Orchestre Victor Hugo Franche-Comté, a co-production with l’Orchestre Philharmonique de Radio France, l’Orchestre National de Metz, and l’Orchestre National des Pays de la Loire.

Les Frivolites Parisiennes
Established in 2012 by musicians Benjamin El Arbi and Mathieu Franot, Les Frivolités Parisiennes was created out of a desire to recover French Light Music of the 19th and 20th centuries, comic opera, opera buffa and musical comedy. With this in mind, the company annually produces new productions or revivals, of which a number have been recorded by Naxos.

The chamber orchestra of Les Frivolités Parisiennes – the spiritual heir to the orchestra of the opéra comique that was disbanded in the 1960s – can comprise from 14 to 40 players according to a work’s requirements. Les Frivolités Parisiennes performs in prestigious music halls such as the Folies Bergère and l’Olympia, opera houses including the Théâtre National de l’Opéra-Comique, Théâtre des Champs-Élysées, Théâtre du Châtelet and Athénée Théâtre Louis-Jouvet, and throughout France. The company of Les Frivolités Parisiennes is an associate artist of the Fondation Singer-Polignac and is in residence at the Théâtre Impérial – Opéra de Compiègne.

Booklet for Reynaldo Hahn: Le Dieu Bleu (Live)