Vermillion Kit Downes, Petter Eldh, James Maddren

• 1 Minus Monks 03:56
• 2 Sister, Sister 04:21
• 3 Seceda 04:42
• 4 Plus Puls 04:00
• 5 Rolling Thunder 02:32
• 6 Sandilands 04:35
• 7 Waders 03:34
• 8 Class Fails 06:08
• 9 Bobbl’s Song 03:19
• 10 Math Amager 03:29
• 11 Castles Made of Sand 04:53
• Total Runtime 45:29

Info for Vermillion

Kit Downes joins forces with long-time collaborators Petter Eldh on bass and James Maddren on drums for a carefully assorted piano trio programme that treads gentle lyricism and bold creative outbursts in equal measures. Downes, whose prior ECM offering Dreamlife of Debris was termed a “work of otherworldly beauty” by BBC Music Magazine, carves out some of his most compendious pieces to date on Vermillion. Replete with subtle twists and turns, the trio offers its idiosyncratic take on the piano trio format, producing unexpected harmonic alterations and animate rhythmic flashes as they flesh out distinct musical forms. Recorded at the Auditorio Stelio Molo in Lugano, the three-piece outlines a unique design for this instrumentation in clear-cut interplay and creates a profound study of Kit Downes’ broad musical imagination in the process.

After his widely acclaimed ECM leader-debut Obsidian saw Kit Downes exploring a broad spectrum of organ timbres and the chamber-toned follow-up Dreamlife Of Debris substantially expanded the instrumental pallet, Vermillion now introduces us to Kit’s exceptional pianistic qualities in a trio context with collaborators Petter Eldh on bass and James Maddren on drums.

The Guardian has praised Kit for his “uncanny ability to make difficult music sound natural” and Vermillion provides proof of that, capturing the trio in a carefully assorted piano trio programme that treads gentle lyricism and bold creative outbursts in equal measures and with a strong penchant for melody.

“This record is different from what I’ve done before. We pushed ourselves into an area that we haven’t played in before, which is a more chamber music-oriented sound. The complex rhythmic component is still kept intact, but it’s wrapped in a different aesthetic.” Kit traces his constant search for new musical challenges back to his early mentor, pianist John Taylor, who passed in 2016 and to whom Kit dedicated his first ECM recording: “John sought after real moments in the music, often by doing something unpredictable. He wanted to make new things happen and was obsessed with taking risks musically, which is what I think I did with Obsidian and what we’re doing now on Vermillion.”

Risk comes in subtle disguise as the trio navigates rich and varied structures. Powerful bass attack is intercepted by the softest piano touch, uneven meters veiled in rubato feel and Kit’s unique harmonic language hides its intricacies in patient timing and warm cadences. James Maddren’s percussive contribution is both assertive and adaptable, woven into the music’s fabric.

No matter whether written and rehearsed at an earlier point or brought to the group on the day of the recording, the trio gives each idea definition and every impulse precise form. “Rather than just documenting everything we’ve done live, with Manfred Eicher’s help we picked what felt like a great collection of music – some music written a couple of years ago, other songs merely two days old. ‘Class Fails’ for example was brought on the day of the recording by Petter. Its bass line may sound like it’s free, but it’s actually in quite specific time. As we started playing the song it turned into what sounds like an organized rubato.”

On Vermillion, construction and deconstruction exist in harmony with each other, creating organic shapes as the two extremes pull at opposite ends and yield gracefully melodious themes in the process. Kit and Petter each came up with five pieces, while the eleventh and final one is an abstract take on Jimi Hendrix’ “Castles Made Of Sand” – the trio joining in a careful unravelling of the song’s individual elements. Vermillion, recorded at the Auditorio Stelio Molo in Lugano in May and June 2021, was produced by Manfred Eicher.

James Maddren and Kit Downes’ musical association goes back to their college days, when the two were flatmates, making music together on a daily basis. James studied with percussionist Martin France at the Royal Academy of Music in London and belongs to the most in-demand percussionists in today’s UK jazz scene – having contributed to recordings and performances by the likes of Norma Winstone, Marc Copland and Gwilym Simcock, on top of being the rhythmic backbone to the majority of Kit’s projects.

Known as the bassist in pianist Django Bates’ Belovèd trio – the trio’s album Study of Touch was released on ECM in 2017 – Petter Eldh’s distinct lower-end contributions can be heard in a variety of contexts since joining Bates’ trio in 2010. Besides his work as an accomplished jazz player, Petter also experiments with electronics, hip-hop and other forms of popular music, which he combines with his jazz background in his Berlin-based group Koma Saxo.

Kit Downes was an organ scholar at St Peter Mancroft in Norwich before going on to study piano, organ and composition at the Purcell School and the Royal Academy of Music. He recorded and toured widely with the band Empirical while also working with – among others Django Bates and Lee Konitz. Besides Petter Eldh and James Maddren, over the years Kit has frequently collaborated with drummer Sebastian Rochford, saxophonist Tom Challenger and cellist Lucy Railton, who all appear on his last ECM outing Dreamlife Of Debris.

Kit Downes, piano
Petter Eldh, double bass
James Maddren, drums

Kit Downes
is a BBC Jazz Award winning, Mercury Music Award nominated, solo recording artist for ECM Records. He has toured the world playing piano, church organ and harmonium with his own bands ('ENEMY', 'Troyka' and 'Elt') as well as with artists such as Squarepusher, 'Empirical', Benny Greb and Sam Amidon. He has written commissions for Cheltenham Music Festival, London Contemporary Orchestra, Ensemble Klang at ReWire Festival, the Scottish Ensemble, Cologne Philharmonie and the Wellcome Trust.

Kit performs solo pipe organ and solo piano concerts - and also plays in collaborations with saxophonist Tom Challenger, cellist Lucy Railton, composer Shiva Feshareki and with the band 'ENEMY'. He is also currently working with violinist Aidan O'Rourke, composer Max de Wardener and in an organ trio with Reinier Baas and Jonas Burgwinkel. He teaches at the Royal Academy of Music in London, where he himself studied and now holds a Fellowship.

Petter Eldh
was obsessed with Jazz, Classical, Soul, Reggae, Swedish folk music, Middle-Eastern and Hip Hop at an early age and collected vinyl since the age of 7. He initially played the guitar before switching to what became his primary instrument, the double bass. Early influences such as Charles Mingus, Anders Jormin, Charlie Haden, Charlie Parker, A Tribe Called Quest, Monica Zetterlund, Samla Mammas Manna, Aretha Franklin and Earth Wind & Fire have guided his diverse output as a musician.

Long-standing collaborations include the following erratic and progressive forces: Django Bates Beloved (ECM records), Enemy (Kit Downes/James Maddren), Jameszoo, Otis Sandsjö (Y-Otis), Lucia Cadotsch Speak Low, Hayden Chisholm, Gard Nilssen, Peter Bruun, Christian Lillinger, Benoit Delbecq, Jonas Kullhammar and Kaja Draksler. As a producer he has remixed work by Jaga Jazzist - The Shrine (Brainfeeder), Jameszoo – Flake (Brainfeeder), DLW - Repurposing DLW (Plaist), Andromeda Mega Express Orchestra – Vula (Afterhours), Speak Low (Enja) and releases his own music on his own imprint Galatea Records and the Finnish label WeJazz Records where he’s releasing albums with his band KOMA SAXO & Y-Otis.

His latest album is called Projekt Drums vol.1 and was released by Edition Record in September 2021. It features drummers like Eric Harland, Savannah Harris, Richard Spaven among others.

James Maddren
is a London, UK-based drummer and composer who hails from Horsham, Sussex, where at age 11 started school at Christ’s Hospital performing in many contrasting bands and orchestras. In 2004 while still at school he traveled to London to study with one of Europe’s top multi-instrumentalists, Jim Hart, who Maddren cites as a significant early influence and inspiration. He went on to study jazz percussion at the Royal Academy of Music with Martin France as his drum tutor. Graduating in 2009 with a 1st class degree James was also given ‘The Principal’s Award For Outstanding Studentship’.

Currently one of the UK’s (and increasingly Mainland Europe’s) first-call young drummers, he enjoys listening to and performing all kinds of music and has shared the stage with many artists and ensembles, including the Gwilym Simcock, Kit Downes Trio, Jacob Collier, Marc Copland/Stan Sulzman Quartet, The Mark McKnight Organ Quartet featuring Seamus Blake, Ivo Neame Group, Phil Donkin, Alex Garnett’s Bunch of Five, Michael Janisch, Will Vinson, Martin Speake Quartet, Phronesis, Jonathan Bratoeff Quartet, Nikkie Iles, Norma Winstone, among others.

Booklet for Vermillion