Experiment Extended Kane Brown

Album info

Album-Release:
2019

HRA-Release:
20.03.2020

Label: RCA Records Label Nashville

Genre: Country

Subgenre: Country-Pop

Artist: Kane Brown

Album including Album cover

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  • 1 Baby Come Back to Me 03:43
  • 2 Good as You 03:11
  • 3 Lose It 02:58
  • 4 It Ain't You It's Me 03:08
  • 5 Short Skirt Weather 03:14
  • 6 Homesick 03:25
  • 7 Weekend 03:48
  • 8 Work 03:03
  • 9 One Night Only 03:10
  • 10 My Where I Come From 03:00
  • 11 American Bad Dream 03:16
  • 12 Live Forever 03:03
  • 13 Lost in the Middle of Nowhere (feat. Becky G) 03:08
  • 14 Like a Rodeo 03:21
  • 15 For My Daughter 03:43
  • Total Runtime 49:11

Info for Experiment Extended



Kane Brown’s hands have the words “Home” and “Sick” tattooed across the knuckles, a letter for each finger. From the serious young man from Fort Oglethorpe, Georgia, much thought went into the ink, a reflection of traditional values shooting through his progressive country.

If the mixed-race vocalist with the deep tenor that mixes Vern Gosdin’s oak with Randy Travis’ presence didn’t look like an eye-catching model, it would be easy to recognize the resemblance of his origin story to those of Merle Haggard and Johnny Cash. Haggard’s family were dust bowl immigrants, living in a box car, trying to make ends meet, and Cash’s parents raised him in an Arkansas’ sharecroppers’ shack as they worked hard to provide for their children.

And like Haggard and Cash, the triple American Music Awards winner is determined to break ground as he creates a distinctly country music of the moment.

Debuting at No. 1 on the Billboard 200, Brown’s new album Experiment released November 9. This follow-up to his Platinum-certified 12-week No. 1 self-titled debut album pushes his kind of country forward to smooth ballads and brisk midtempos that capture the soul of commitment, the sweep of desire and the stumble of doubt. But rather than just follow the pack, he reaches back to embrace elements of the traditional that are missing in so much of today’s modern pop-centric country.

“I want that in music,” he acknowledges. “It’s fiddle-driven, and also slide guitar and steel guitar. Just to kind of give it those old school instruments, I feel, is the closest way to bring the old school country music into the new school country music (happening) right now.

“I’m trying to bring the traditional aspects of instruments back into today’s country, and not just use your loop heads or fake drums. I just want to get as close back to that sound as possible while still sounding hip.”

Kane Brown

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