Coming In From The Dark Hollie Smith

• 1 Coming In From The Dark (feat. New Zealand Symphony Orchestra) 03:14
• 2 Tell Me 04:29
• 3 Something Good 04:09
• 4 The One To Go 03:23
• 5 What About (feat. Raiza Biza) 04:09
• 6 Beside Me 03:31
• 7 Heaven 03:28
• 8 Billy 04:10
• 9 Lay Me Down (feat. New Zealand Symphony Orchestra) 03:50
• 10 Damage Done 03:36
• 11 YOU (feat. New Zealand Symphony Orchestra) 04:44
• Total Runtime 42:43

Info for Coming In From The Dark

The iconic Kiwi kaiwaiata returns with her first new release in five years. Hollie Smith makes her triumphant return with the first track to be released from her upcoming 4th solo album.

Packing plenty of heart and relevance, Coming in from the Dark is the sound of one emerging from a time of struggle and turmoil. Starting from a tender backdrop of a solitary slow-burning piano, Hollie then goes toe-to-toe with the New Zealand Symphony Orchestra as the song builds into a towering swell of emotion.

Hollie produced, directed and starred in the accompanying official video. The emotional black & white close up perfectly encapsulates the soulful energy of the waiata.

Tender, triumphant and full of hope, Coming in from the Dark sees Hollie at her most dynamic and resolute. The track is released as a bilingual release, with a te reo Maori version titled Ko te hīnātoretanga.

Hollie Smith

Hollie Smith
is one of Aotearoa’s most recognizable artists of the 21st century. For over 20 years, Hollie has cemented herself as an acclaimed solo artist and an accomplished collaborator, becoming an integral voice in the local music scene. Alongside three #1 debuting solo albums, Hollie has scooped numerous awards, accolades, and acclaim, and seen her voice become part of many iconic moments in New Zealand music history.

Hollie’s first experiences with music was through her involvement in the Auckland Blues and Jazz scene as a teenager, which was the beginning of her live performance career. Smith got early recognition when she won Best Vocalist & Best Arrangement at the Tauranga National Jazz Festival at the age of 15.

Around this time she began recording with her father Steve McDonald, who generated an international following in the 90s for his work in celtic music. These recordings would lead to a tour of the USA and Hollie’s first original music recordings, where she recorded with Tre from legendary hip hop group The Pharcyde and iconic American session drummer Larry Thompson. One of these early songs with Steve, featuring Hollie, would eventually be sampled for a track by US rap giant DMX.

Hollie then emerged in the early 2000s as a solo artist, becoming one of the most prodigious talents of a blossoming music scene in Wellington. Hollie would collaborate and tour with Trinity Roots, appearing on their iconic album Home, Land & Sea. She featured on Fat Freddy’s Drop classic ballad ‘Hope’ and performed on Concord Dawn and Recloose’ albums amongst several others before releasing her self-titled debut EP to much acclaim. Then in 2005, the Don McGlashan-penned single ‘Bathe in the River’, for the film No. 2, would generate even further hype for Hollie, as it spent 37 weeks in the Top 40, peaking at #2, and went on to win the APRA Silver Scroll.

On hearing recordings for her debut album Long Player, Hollie was offered a record deal out of the US from legendary jazz label, Blue Note. Hollie would then record in New York City with producer and keyboard legend James Poyser (The Roots), Adam Blackstone (Kanye West, Justin Timberlake) & Jeff Lee Johnson (Erykah Badu, Aretha Franklin).

Unfortunately shortly before releasing Long Player with Blue Note, its parent label EMI Music would then be sold and Smith would find herself in a long and difficult process of legal negotiations settling an already executed contract. This wouldn’t hinder the album’s local success though, as upon release in 2007 ‘Long Player’ would debut at #1, sell double-platinum, and go on to win multiple gongs at the New Zealand Music Awards, along with critical acclaim. During this time she opened for such music royalty as Bob Dylan and Coldplay.

Hollie returned in 2010 with her fearless sophomore album Humour and the Misfortune of Others, which would debut at #1 and become certified gold. The album was followed soon after by an ambitious collaboration album with Mara TK, titled Band of Brothers Vol. 1 as well as another collaboration album, Peace of Mind, with Anika Moa and Boh Runga.

Over the years Hollie’s potent vocal powers have made her highly sought-after, with appearances on works from Fly My Pretties, Home Brew, Sol3 Mio and Flight of the Conchord’s Brett McKenzie albums.

With guest appearances on official cover albums for Crowded House, Bob Marley and Herbs, as well as contributions to multiple charity releases for organisations such as Women's Refuge, the New Zealand Breast Cancer Foundation, Starship hospital and Cure Kids.

In 2016 Smith’s third solo album Water or Gold, saw her notch yet another #1 album as well as New Zealand Music Award nominations for Album of the Year and Best Female Solo Artist. Following the release of ‘Water Or Gold’, Smith has continued to grow and contribute as an artist. Her bilingual collaboration with TEEKS, ‘Whakaaria Mai/How Great Thou Art’ received widespread acclaim and would see her perform it at a concert in remembrance of the Christchurch terrorist attack victims. More recently Hollie guested on the 2020 COVID-19 lockdown hit ‘Stay’ with an all-star line up that featured Stan Walker, Ria Hall, Kings, Troy Kingi and many more. In 2021 Hollie worked alongside Don McGlashan again for the TVNZ series Waiata Anthems, on an episode that documented the making of a bilingual te reo Māori version of ‘Bathe In the River’, titled ‘Korukutia’.

After a five year break, Hollie now returns with her fourth solo album, Coming In From The Dark. An album which further showcases her powerful voice and emotive songwriting and sees her collaborating with some of New Zealand’s top musicians, including the New Zealand Symphony Orchestra, TEEKS, Sole Mio and Raiza Biza.

With three #1 studio albums, much acclaim, award nominations and numerous iconic collaborations, Hollie has well and truly confirmed her status as one of Aotearoa’s most beloved, esteemed and prolific artists as she enters her third decade as an artist and musician.

This album contains no booklet.