Album info

Album-Release:
2019

HRA-Release:
15.11.2019

Label: BMG Rights Management GmbH

Genre: Classical

Subgenre: Vocal

Artist: Tamar Halperin & Andreas Scholl

Composer: Ralph Vaughan Williams (1872-1958), Alban Berg (1885-1935), Benjamin Britten (1913-1976), Aaron Copland (1900-1990)

Album including Album cover

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  • Ari Frankel:
  • 1 The Rest 05:58
  • Traditional:
  • 2 The Little Horses 02:26
  • 3 At the River 02:21
  • 4 The Salley Gardens 02:18
  • 5 Greensleeves 02:13
  • Alban Berg, Heinrich Heine:
  • 6 Vielgeliebte schöne Frau 01:40
  • Alban Berg, Friedrich Rückert:
  • 7 Ferne Lieder 02:28
  • Ralph Vaughan Williams, Seumas O'Sullivan:
  • 8 The Twilight People 04:20
  • Ralph Vaughan Williams, Ursula Wood:
  • 9 Tired 02:16
  • Dante Gabriel Rossetti, Ralph Vaughan Williams:
  • 10 Silent Noon 03:48
  • Traditional:
  • 11 In the Spring 02:49
  • Alban Berg, Konrad Lorenz:
  • 12 Wo der Goldregen steht 01:56
  • Traditional:
  • 13 The Ash Grove 02:57
  • Gibran Khalil Gibran, Joseph Tawadros:
  • 14 Beauty Is Life 09:06
  • Total Runtime 46:36

Info for Twilight People



It can be good for an artist to take a break from a big label. The German counter-tenor Andreas Scholl has been recording faithfully for Decca for about a decade without ever giving an impression of calling the shots in his career. Yes, he left lovely tracks of Dowland, Purcell, Bach and Handel, but no more than you’d expect of someone as good as he is in the heart of his Fach and not really breaking new ground.

In the past couple of years Scholl has been working with his Israeli wife, the pianist and harpsichordist Tamar Halperin, along with various of their friends, in pushing out into the undefined territory that lies between folk music and composed art.

Their new album has a serenity alien to high-pressure releases, a meander down Britten’s setting of Salley Gardens or Copland’s At the River. There are three tracks of totally unexpected lieder by Alban Berg and a sheaf of all-too-familiar Vaughan Williams – familiar, that is, until Scholl starts to sing, blowing away stuffy smells of English drawing rooms and taking us somewhere higher than we thought this stuff could go. This album is pure pleasure, so much so that I feel guilty sharing it because the label suits will wake up and put him back in a catalogue box.

Andreas Scholl, counter-tenor
Tamar Halperin, piano

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