Tombeaux - Remembrances Michael Dücker

• Wilhelm Friedemann Bach (1710 - 1784):
• 1 Bach: Fantasia in D Minor, WFB A 105 03:15
• Laurent de Saint-Luc (1669 - 1708):
• 2 Saint-Luc: Tombeau de la Reine de Prusse 07:28
• Ennemond Gaultier (1575 - 1651):
• 3 Gaultier: Tombeau de Mezangeau 09:07
• Georg Gebel (1709 - 1753):
• 4 Gebel: Tombeau de Madame J. 07:41
• Robert de Visée (1656 - 1732):
• 5 Visée: Tombeau de Vieux Gallot, Allemande 02:35
• Anonymous:
• 6 Prelude in E-Flat Major 00:57
• 7 Tombeau in E-Flat Major 04:50
• Johann Georg Weichenberger (1676 - 1740):
• 8 Weichenberger: Tombeau pur l'Empereur Joseph 08:30
• Silvius Leopold Weiss (1687 - 1750):
• 9 Weiss: Tombeau sur la Mort de M. Comete d'Logÿ arrivee 1721 04:40
• François Dufaut (1604 - 1672):
• 10 Dufaut: Tombeau de M. Blanrocher 02:56
• Germain Pinel (1600 - 1661):
• 11 Pinel: Tombeau sur la Mort du Roy d'Angleterre 04:40
• Denis Gaultier (1597 - 1672):
• 12 Gaultier: Tombeau de M. de Lenclos 05:10
• Johann Jacob Froberger (1616 - 1667):
• 13 Froberger: Tombeau fait à Paris sur la mort de Monsieur Blancheroche 03:43
• Total Runtime 01:05:32

Info for Tombeaux - Remembrances

A Tombeau in the French Baroque period refers to a piece of music in memory of a more or less beloved person, but sometimes also of a parrot or canary. This does not mean, however, that the pieces must necessarily be sad, somber music. The genre is also varied by the fact that a Tombeau can actually take on any type of movement - mourning takes place in major and minor, fast or slow. Michael Dücker, lutenist, music researcher, editor and spiritus rector of the ensemble nuovo aspetto, reveals to us here in exemplary fashion the sheer inexhaustible inventiveness and originality with which composers in the Baroque period processed their grief musically.

Michael Dücker, lute
Johanna Seitz, harp

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