Lutoslawski: Concerto for Orchestra; Partita for Violin and Orchestra; Novelette Christian Tetzlaff, Finnish Radio Symphony Orchestra & Nicholas Collon

• Witold Lutoslawski (1913 - 1994): Concerto for Orchestra:
• 1 Lutoslawski: Concerto for Orchestra: I. Intrada (Allegro maestoso) 07:14
• 2 Lutoslawski: Concerto for Orchestra: II. Capriccio notturno ed Arioso (Vivace) 05:46
• 3 Lutoslawski: Concerto for Orchestra: III. Passacaglia, Toccata e Corale (Andante con moto – Allegro giusto) 15:40
• Partita for Violin and Orchestra:
• 4 Lutoslawski: Partita for Violin and Orchestra: I. Allegro giusto 03:53
• 5 Lutoslawski: Partita for Violin and Orchestra: II. Ad libitum 00:51
• 6 Lutoslawski: Partita for Violin and Orchestra: III. Largo 06:33
• 7 Lutoslawski: Partita for Violin and Orchestra: IV. Ad libitum 00:45
• 8 Lutoslawski: Partita for Violin and Orchestra: V. Presto 03:21
• Novelette:
• 9 Lutoslawski: Novelette: I. Announcement 01:41
• 10 Lutoslawski: Novelette: II. First Event 02:30
• 11 Lutoslawski: Novelette: III. Second Event 03:20
• 12 Lutoslawski: Novelette: IV. Third Event 02:05
• 13 Lutoslawski: Novelette: V. Conclusion 06:09
• Total Runtime 59:48

Info for Lutoslawski: Concerto for Orchestra; Partita for Violin and Orchestra; Novelette

This new album conducted by Nicholas Collon continues Ondine’s award-winning series of orchestral works by Witold Lutosławski (1913–1994) together with the Finnish Radio Symphony Orchestra. The series has gathered several accolades, including a Grammy nomination, a BBC Music Magazine Awards nomination, as well as several recording of the month awards and best recordings of the year nominations. This album includes the composer’s early hit, his folklorish masterpiece Concerto for Orchestra, which is among his most performed compositions. The album also includes Partita for Violin and Orchestra (with Christian Tetzlaff as soloist), a virtuosic 5-movement work which in its orchestral version is not short of a Violin Concerto. The rarity in the album is Lutoslawski’s Novelette from 1979, which, although fragmentary, is already pointing toward the ideas of his 3rd Symphony.

Polish composer Witold Lutosławski was one of the most prominent creative musicians of the period following the Second World War. His milestone contribution to the history of modern music is ‘aleatoric counterpoint’ or ‘restricted aleatorics’, a composition technique he developed in the early 1960s. Lutosławski’s Concerto for Orchestra scored a huge success when it was premiered in Warsaw in November 1954. It was the culmination of his early period and established him at one fell swoop as the most significant Polish composer since Karol Szymanowski, in the eyes of audiences and critics alike. In a belated international recognition, the work was awarded 1st prize at the UNESCO composer rostrum in 1963. It is of sufficient substance and importance to be considered on a par with his symphonies. The material of the Concerto for Orchestra is based on folk tunes collected in Mazovia near Warsaw.

Partita for violin and orchestra (1988) is a late work and, according to Lutosławski himself, is harmonically and melodically akin to a group of works that includes one of his most important creations, the Third Symphony (1979–1983). Lutosławski’s Partita are loosely connected to Baroque dance characters (courante, air, gigue). The Partita is a work in five movements that are played without a break. Its substance is in its first, third and fifth movements, which are linked by two brief ‘ad libitum’ movements for violin–piano duo.

In addition to his four symphonies and the Concerto for Orchestra, Lutosławski wrote several more concise and concentrated orchestral works, which are none the less important as facets of his compositional output. These include Novelette (1979), written to a request from Mstislav Rostropovich. The title Novelette is a literary one; Schumann used it as a title for a musical piece in his day. True to the description, in the context of Lutosławski’s output this piece is like a novella or short story compared with the novel-like proportions of the symphonies: equally rich in detail but more concise in form and often more akin to chamber music and more translucent in sound.

Christian Tetzlaff, violin
Finnish Radio Symphony Orchestra
Nicholas Collon, conductor

No biography found.

Booklet for Lutoslawski: Concerto for Orchestra; Partita for Violin and Orchestra; Novelette