Album info
Album-Release:
2022
HRA-Release:
16.09.2022
Label: Prima Classic
Genre: Classical
Subgenre: Vocal
Artist: Marina Rebeka & Mathieu Pordoy
Composer: Henri Duparc (1848-1933), Cecile Chaminade (1857-1944), Marie Jaell (1846-1925), Maurice Ravel (1875-1937), Charles-Marie Widor (1844-1937), Gabriel Faure (1845-1924), Charles Gounod (1818-1893), Camille Saint-Saens (1835-1921), Pauline Viardot-Garcia (1821-1910)
Album including Album cover Booklet (PDF)
- Charles Baudelaire (1821 - 1867), Henri Duparc (1848 - 1933): L'Invitation Au Voyage:
- 1 Baudelaire, Duparc: L'Invitation Au Voyage 04:52
- Paul Ginisty (1855 - 1932), Cécile Chaminade (1857 - 1944): Chanson Slave:
- 2 Ginisty, Chaminade: Chanson Slave 03:17
- Victor Hugo (1802 - 1885), Marie Jaëll (1846 - 1925): Les Orientales: 1. Rêverie:
- 3 Hugo, Jaëll: Les Orientales: 1. Rêverie 04:18
- Tristan Klingsor (1874 - 1966), Maurice Ravel (1875 - 1937): Shéhérazade: 2. La Flûte Enchantée:
- 4 Klingsor, Ravel: Shéhérazade: 2. La Flûte Enchantée 03:38
- Camille Saint-Saëns (1835 - 1921): Désir De l'Orient:
- 5 Saint-Saëns: Désir De l'Orient 03:17
- Joseph Méry (1797 - 1866), Charles-Marie Widor (1844 - 1973): Quarante Mélodies:
- 6 Méry, Widor: Quarante Mélodies: 31. Chanson Indienne 04:02
- Charles-Marie Leconte de Lisle (1818 - 1894), Gabriel Fauré (1845 - 1924): Les Roses d'Ispahan:
- 7 Lisle, Fauré: Les Roses d'Ispahan 03:37
- Corrado Marchese Pavesi, Charles Gounod (1818 - 1893): Perche Piangi?:
- 8 Pavesi, Gounod: Perche Piangi? 03:33
- Alfonso di Liguori, Camille Saint-Saëns (1835 - 1921): La Madonna Col Bambino:
- 9 Liguori, Saint-Saëns: La Madonna Col Bambino 03:57
- Anonymous madrigal, Camille Saint-Saëns: Alla Riva del Tebro:
- 10 madrigal, Saint-Saëns: Alla Riva del Tebro 02:55
- Giuseppe Zaffira, Charles Gounod: Oh! Dille Tu!:
- 11 Zaffira, Gounod: Oh! Dille Tu! 03:36
- Tuscan popular song, Pauline Viardot (1821 - 1910): 5 Canti Popolari Toscani:
- 12 song, Viardot: 5 Canti Popolari Toscani: 5. L'innamorata 01:50
- Marie Jaëll (1846 - 1925): 5 Lieder:
- 13 Jaëll: 5 Lieder: 1. Dein 03:00
- 14 Jaëll: 5 Lieder: 2. Der Sturm 05:24
- 15 Jaëll: 5 Lieder: 3. Die Vöglein 03:50
- 16 Jaëll: 5 Lieder: 4. Ewige Liebe 01:36
- 17 Jaëll: 5 Lieder: 5. Die Wang' ist Blass 05:33
- Ivan Turgenev (1818 - 1883), Pauline Viardot (1821 - 1910): 12 Poems by Pushkin, Fet, and Turgenev:
- 18 Turgenev, Viardot: 12 Poems by Pushkin, Fet, and Turgenev: 7. The Chickadee 01:56
- Fyodor Tyutchev (1803 - 1873), Pauline Viardot: The Willow:
- 19 Tyutchev, Viardot: The Willow 01:32
- Afanasy Fet (1820 - 1892), Pauline Viardot: Serenade:
- 20 Fet, Viardot: Serenade 01:57
- Alexander Pushkin (1799 - 1837), Pauline Viardot: 12 Poems by Pushkin, Fet, and Turgenev:
- 21 Pushkin, Viardot: 12 Poems by Pushkin, Fet, and Turgenev: 1. The Flower 03:08
- Afanasy Fet, Pauline Viardot: 12 Poems by Pushkin, Fet, and Turgenev:
- 22 Fet, Viardot: 12 Poems by Pushkin, Fet, and Turgenev: 5. Whisper, Timid Breathing 01:44
- Alexander Pushkin, Pauline Viardot: 12 Poems by Pushkin, Fet, and Turgenev:
- 23 Pushkin, Viardot: 12 Poems by Pushkin, Fet, and Turgenev: 6. Invocation 03:41
Info for Voyage
Marina Rebeka's first piano recital album invites the listener to travel with the flair of 19th century chamber music, written by French composers, sung in French, Italian, German, and Russian.
Some musical objects resist scholarly classifications. Straddling two genres or requiring an unusual membership, they escape the boxes in which we like to lock each score before carefully storing it in a thematic catalogue. The same goes for mlodies composed by French people on foreign texts: should they be considered as French mlodies? Are they losing their French character? Are they even still mlodies or do they become lieder, songs, or any other form specific to the language used?
By bringing together works by French musicians composed on French, Russian, German and Italian texts, or in the Tuscan dialect, this album encourages us to make a change of scale, to break the frames and respond to an invitation to travel.
Most of the mlodies in this recital were composed between 1860 and 1890, that is to say on the threshold of the Belle poque and the Second Industrial Revolution. Behind the mirage of national identities, we will perceive a European context conducive to dreams of escape and a cosmopolitanism embodied by great musical figures, such as Henri Duparc, Ccile Cheminade, Maurice Ravel, Camille Saint-Sans, Charles-Marie Widor, Gabriel Faur, Charles Gounod, and the extraordinarily talented female composers Marie Jall and Pauline Viardot.
Marina Rebeka and Mathieu Pordoy approach this eclectic repertoire using a rainbow of musical colours, succeeding indeed in capturing the very essence of each piece. An exquisite album for the musically curious and the armchair traveller alike.
Marina Rebeka, soprano
Mathieu Pordoy, piano
Marina Rebeka
Latvian soprano Marina Rebeka is one of the leading opera singers of our time.
Since her international breakthrough at the Salzburg Festival in 2009 under the baton of Riccardo Muti, Rebeka has been a regular guest at the world’s most prestigious concert halls and opera houses, including the Teatro alla Scala (Milan), the Opéra National de Paris, the Metropolitan Opera (New York), the Royal Opera House Covent Garden (London), the Bavarian State Opera (Munich), the Vienna State Opera, and the Zurich Opera House.
She collaborates with leading conductors, including Riccardo Muti, Zubin Mehta, Antonio Pappano, Valery Gergiev, Fabio Luisi, Yannick Nézet-Séguin, and Daniele Gatti. The variety of her repertoire ranges from Baroque, through bel canto and Verdi, to Tchaikovsky and Britten.
As an active and widely acclaimed concert performer, Rebeka has given recitals at many of the world’s most prestigious venues, such as the Teatro alla Scala in Milan, the Großes Festspielhaus in Salzburg, the Opernhaus Zürich, and others.
Rebeka’s discography includes releases with Deutsche Grammophon, Warner Classics (EMI), BR Klassik, and Naxos. She has recorded Rossini’s Petite Messe Solennelle, Mozart’s arias, Amor Fatale (an album of Rossini’s arias), Verdi’s full opera Luisa Miller, and Mozart’s La Clemenza di Tito.
On her own record label, Prima Classic, she has released the album Spirito (scenes and arias of the dramatic bel canto), Verdi’s opera La Traviata, and her solo albums Elle (French opera arias) and Credo (a selection of sacred and spiritual music). Rebeka also sang the role of Imogene in the recording of Bellini’s Il Pirata, an album released by Prima Classic that received the 2022 International Classical Music Award (ICMA) for opera recording of the year.
In December 2016, Rebeka was granted the Order of the Three Stars, the highest award of the Republic of Latvia, for her cultural achievements. In the 2017/18 season, she was named the first-ever artist in residence by the Münchner Rundfunkorchester. In 2In December 2016, Rebeka was granted the Order of the Three Stars, the highest award of the Republic of Latvia, for her cultural achievements. In the 2017/18 season, she was named the first-ever artist in residence by the Münchner Rundfunkorchester. In 2020, she received the International Classical Music Award (ICMA) for artist of the year and the Latvian Ministry of Culture Award for Excellence. In 2021, she was awarded the first-ever Premio alla Carriera “Toti dal Monte”.
Booklet for Voyage