Souvenirs of Spain & Italy Sharon Isbin & Pacifica Quartet

Album info

Album-Release:
2019

HRA-Release:
23.08.2019

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  • Mario Castelnuovo-Tedesco (1895 - 1968): Guitar Quintet, Op. 143:
  • 1 Guitar Quintet, Op. 143: I. Allegro, vivo e schietto 05:53
  • 2 Guitar Quintet, Op. 143: II. Andante mesto 06:54
  • 3 Guitar Quintet, Op. 143: III. Scherzo. Allegro con spirito, alla marcia 04:49
  • 4 Guitar Quintet, Op. 143: IV. Finale. Allegro con fuoco 06:02
  • Antonio Vivaldi (1678 - 1741): Chamber Concerto in D Major, RV 93 (Arr. E. Pujol for Guitar & String Quartet):
  • 5 Chamber Concerto in D Major, RV 93 (Arr. E. Pujol for Guitar & String Quartet): I. Allegro 03:42
  • 6 Chamber Concerto in D Major, RV 93 (Arr. E. Pujol for Guitar & String Quartet): II. Largo 05:00
  • 7 Chamber Concerto in D Major, RV 93 (Arr. E. Pujol for Guitar & String Quartet): III. Allegro 02:16
  • Joaquín Turina (1882 - 1949):
  • 8 La oración del torero, Op. 34 (Version for String Quartet) 07:56
  • Luigi Boccherini (1743 - 1805): Guitar Quintet No. 4 in D Major, G. 448:
  • 9 Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale (After G. 270) 04:45
  • 10 Guitar Quintet No. 4 in D Major, G. 448: II. Allegro maestoso (After G. 270) 06:43
  • 11 Guitar Quintet No. 4 in D Major, G. 448: III. Grave assai - IV. Fandango (After G. 341) 06:59
  • Total Runtime 01:00:59

Info for Souvenirs of Spain & Italy



The Grammy Award-winning Pacifica Quartet and multiple Grammy-winning guitarist Sharon Isbin join forces for an uncommon album of music for strings and guitar from the Baroque to the mid-20th century. Souvenirs of Spain & Italy is the first joint recording by these renowned artists and marks Isbin’s Cedille Records debut.

The program spotlights Italian-born composers influenced by Spanish idioms. Mario Castelnuovo-Tedesco’s Quintet for Guitar and String Quartet, Op. 143, is a seldom-heard gem demanding virtuosity from every player. Written for guitarist Andrés Segovia, it’s “an urbane work, rich in vibrant themes and dialogues among individual lines,” critic Allan Kozinn writes in the liner notes. Isbin and the Pacifica play Emilio Pujol’s guitar arrangement of Antonio Vivaldi’s lute Concerto in D Major, RV 93. Isbin’s guitar work in the dreamlike, meditative Largo movement features her own Baroque ornamentation. Luigi Boccherini’s Quintet for Guitar and String Quartet in D Major, G. 448, melds the emerging classical style of late 18th-century Vienna with hints of Spanish flamenco. Spanish composer Joaquín Turina’s string quartet movement, La Oración del Torero, Op. 34, evokes the fervor of a matador’s private prayer before entering the bullring.

"In its purest form, the classical guitar’s nylon (formerly catgut) strings and medium-sized resonating chamber yielded a sweet, rounded sound — but a soft-spoken one, compared with bowed and blown instruments. As a result, the guitar, in its classical incarnation, has for the most part been a lonely instrument, a solo voice singing a remarkably varied repertory that embraces everything from dolorous introspection to vigorous dance music, but typically on its own. The recording studio, of course, has always been a place where guitarists can redress the balance problems inherent in ensemble music, and relatively recently, guitarists of Sharon Isbin’s generation have been using subtle sound reinforcement technology that has leveled the playing field in the concert hall as well." (Allan Kozinn)

Pacifica Quartet
Sharon Isbin, guitar



Pacifica Quartet Recognized for its virtuosity, exuberant performance style, and often-daring repertory choices, the Pacifica Quartet has gained international stature as one of the finest chamber ensembles performing today. The Pacifica tours extensively throughout the United States, Europe, Asia, and Australia, performing regularly in the world's major concert halls. Named the quartet-in-residence at Indiana University's Jacob School of Music in March 2012, the Pacifica also served as quartet-in-residence at the Metropolitan Museum of Art (2009–2012) — a position previously held only by the Guarneri String Quartet — and received the 2009 Grammy Award for Best Chamber Music Performance.

Formed in 1994, the Pacifica Quartet quickly won chamber music's top competitions, including the 1998 Naumburg Chamber Music Award. In 2002, the ensemble was honored with Chamber Music America's Cleveland Quartet Award and the appointment to Lincoln Center's CMS Two. In 2006, Pacifica was awarded a prestigious Avery Fisher Career Grant, becoming only the second chamber ensemble so honored in the grant's long history. Also in 2006, the Quartet was featured on the cover of Gramophone and heralded as one of "five new quartets you should know about," the only American quartet to make the list. In 2009, the Quartet was named "Ensemble of the Year" by Musical America.

The Pacifica Quartet has carved a niche as the preeminent interpreter of string quartet cycles, harnessing the group's singular focus and incredible stamina to portray each composer's evolution, often over the course of just a few days. Having given highly acclaimed performances of the complete Elliott Carter cycle in San Francisco, New York, Chicago, and Houston; the Mendelssohn cycle in Napa, Australia, New York, and Pittsburgh; and the Beethoven cycle in New York, Denver, St. Paul, Chicago, Napa, and Tokyo (in an unprecedented presentation of five concerts in three days at Suntory Hall), the Quartet presented the monumental Shostakovich cycle in Chicago and New York during the 2010 –2011 season and in Montreal and London's Wigmore Hall in the 2011–2012 season. The Quartet has been widely praised for these cycles, with critics calling the concerts "brilliant," "astonishing," "gripping," and "breathtaking."

An ardent advocate of contemporary music, the Pacifica Quartet commissions and performs many new works, including those by Keeril Makan and Shulamit Ran to be premiered during the 2013–2014 and 2014–2015 seasons. In 2008, the Quartet released its Grammy Award-winning recording of Carter's Quartets Nos. 1 and 5 on the Naxos label; the 2009 release of Quartets Nos. 2, 3, and 4 completed the two-CD set. The Pacifica's other recordings for Cedille Records include Mendelssohn: The Complete String Quartets, Declarations: Music Between the Wars, and its acclaimed, four-volume The Soviet Experience: String Quartets by Dmitri Shostakovich and his Contemporaries.

Sharon Isbin Acclaimed as “the pre-eminent guitarist of our time,” multiple GRAMMY winner Sharon Isbin has been soloist with nearly 200 orchestras and has given sold-out performances in the world’s finest halls. Winner of the Toronto, Madrid, and Munich Competitions, Germany’s Echo Klassik, and Guitar Player’s Best Classical Guitarist awards, she created festivals for Carnegie Hall and NPR, and has appeared on All Things Considered, CBS Sunday, and the cover of 50 magazines. She performed in Scorsese’s Oscar-winning The Departed, the first internationally televised 9/11 memorial, the White House by invitation of President Obama, and as the only classical artist in the 2010 GRAMMY Awards. PBS performances include Tavis Smiley, the Billy Joel Gershwin Prize, and the acclaimed documentary Sharon Isbin: Troubadour, seen by millions around the globe and winner of an ASCAP Television Broadcast Award.

Isbin’s 30 recordings include the historic Alma Española with mezzo-soprano Isabel Leonard, Sharon Isbin: 5 Classic Albums, Guitar Passions, her GRAMMY-winning Journey to the New World with guests Joan Baez and Mark O’Connor, which spent 63 consecutive weeks on top Billboard charts, and her Latin GRAMMY-nominated concerto disc with the New York Philharmonic, the orchestra’s only recording with guitar. Recent performance highlights include a commission for her by Carnegie Hall for its 125th anniversary; a 21-city Guitar Passions tour with jazz greats Stanley Jordan and Romero Lubambo; and collaborations with Sting, Steve Vai, and Amjad Ali Khan. She has premiered over 80 works composed for her by some of the world’s finest composers.

Isbin’s teachers include Andrés Segovia, Oscar Ghiglia, and Rosalyn Tureck, with whom she collaborated on landmark editions/recordings of the Bach lute suites. Author of the Classical Guitar Answer Book, she directs the guitar department at the Aspen Music Festival, and is the founding director of the guitar department at The Juilliard School.

This album contains no booklet.