P'ra você Raquel Lojendio & Chiky Martín

• Jayme Ovalle (1894 - 1955):
• 1 Modinha 02:37
• 2 Azulao 01:45
• Heitor Villa-Lobos (1887 - 1959):
• 3 Melodia sentimental, W556 03:08
• 4 Modinhas e canções, W406 (Excerpts): No. 1, Cançao do marinheiro 02:48
• 5 Modinhas e canções, W406 (Excerpts): No. 2, Lundú da Marqueza de Santos 02:23
• Carlos Pagliuchi (1885 - 1963):
• 6 A casinha pequenina 03:09
• Oscar Lorenzo Fernández (1897 - 1948):
• 7 Tonada pra voce 02:12
• Alberto Ginastera (1916 - 1983):
• 8 2 Canciones, Op. 3: No. 2, Canción de la luna lunanca 01:53
• 9 5 Canciones populares argentinas, Op. 10 (Excerpts): No. 2, Triste 03:20
• 10 5 Canciones populares argentinas, Op. 10 (Excerpts): No. 3, Zamba 01:44
• 11 5 Canciones populares argentinas, Op. 10 (Excerpts): No. 4, Arrorró 02:08
• 12 2 Canciones, Op. 3: No. 1, Canción al árbol del olvido 02:25
• Carlos Guastavino (1912 - 2000):
• 13 4 Canciones coloniales (Excerpts): No. 1, Cuando acaba de llover 03:10
• 14 12 Canciones populares (Excerpts): No. 2, El Sampedrino 03:40
• 15 La tempranera 03:27
• 16 Pueblito, mi pueblo 02:21
• 17 12 Canciones populares (Excerpts): No. 8, Pampa sola 02:21
• 18 Pampamapa 03:59
• 19 4 Canciones coloniales (Excerpts): No. 3, Ya me voy a retirar 04:02
• 20 4 Canciones coloniales (Excerpts): No. 2, Préstame tu pañuelo 02:39
• 21 12 Canciones populares (Excerpts): No. 1, Bonita rama de sauce 03:25
• 22 La rosa y el sauce 02:51
• 23 Se equivocó la paloma 02:31
• Total Runtime 01:03:58

Info for P'ra você

“I compose music because I love it. I love melodies, I love singing. And I have found out with pleasure that there is a public out there who is very interested in my music whenever I publish it. That’s fantastic! I refuse to just compose music designed to be discovered and understood by future generations.” With these words Carlos Guastavino (Santa Fe, 1912 - Buenos Aires, 2000) expressed himself, aware that his art belonged to those who wanted to hear and sing it, reneging on the customary exercise of the composer who seeks to be recognized by the umpteenth harmonic discovery never before tried out. Guastavino enriched the young voice of the Argentine people with his music, giving it a unique and identifiable tone, supporting the tip of his feet in a folklore to which he gave wings to surpass himself. “Cinco canciones argentinas” (Five Argentinean songs), Op. 10. This work exemplarily shows the most characteristic features of what has come to be known as Ginastera’s period of objective nationalism. Namely, the use of folkloric elements and tonal techniques together with other techniques which are typical of atonalism, especially in piano accompaniment.

Raquel Lojendio, soprano
Chiky Martín, piano

No biography found.

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