Frames ALO

Album info

Album-Release:
2025

HRA-Release:
04.04.2025

Label: Brushfire / Republic Records

Genre: Rock

Subgenre: Modern Rock

Artist: ALO

Album including Album cover

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  • 1 Blank Canvas 03:40
  • 2 Separated, Come Together 03:32
  • 3 Space Between Frames 03:55
  • 4 Hey Hello (Tale Of The Twist & Shout) 05:28
  • 5 Rescue Our Demons 04:48
  • 6 In The End 04:35
  • 7 Warmth Of The Night 04:11
  • 8 You May Not Get It All 04:17
  • 9 Simple Sentimental Dream 03:17
  • 10 Friends 04:39
  • Total Runtime 42:22

Info for Frames



The 10-song album boasts a seamless fusion of rock, electronic, alt-pop, R&B, folk, funk and a touch of subtle wit, played by an exceptional group of musicians - all of whom write & sing lead. When things may seem a bit dark, Frames offers a joyful escape by a band of life-long friends who became serious artists, who don’t take themselves too seriously while creating some seriously well-crafted songs including “Blank Canvas” which feat. a melodic guitar riff and easy-going vibe, and much-needed optimism.

Guitarist/Vocalist Dan “Lebo” Lebowitz perfectly summed up the new release, “So often we find ourselves trapped in a warp-speed life with frames of information coming at us faster than fire,” he said. “Some of it’s inspiring, and some of it’s scary, but it’s all so rapid-paced that it can feel impossible to keep up. The space between frames is about finding that quiet place without so much noise, where we can reflect on what we want to be and what we want to offer the world.” And where Lebo’s “Space Between Frames” tackles the theme of the record with direct disco swagger, tunes by his bandmates may smack more subtlety.

Vocalist/bassist Steve Adams’ initial offering is a punchy little rocker entitled “Separated, Come Together” and looks at the righteousness and randomness of our life’s relationships and their comings and goings. Vocalist/keyboardist Zach Gill’s take in his “Blank Canvas” is to look at what’s in front of you with fresh eyes and an abandonment of cynicism. In “Rescue Our Demons,” vocalist/drummer Ezra Lipp suggests that instead of confronting our darker instincts, perhaps it may be better to sit with them, maybe even embrace them as a natural part of who we are.

These ten new songs drip with a sense of reckoning and thirst for understanding the place in which we can find ourselves, together, outside of the confines thrust upon us. Only a band built upon a foundation of decades of friendship and musical understanding can deliver the goods with music accented by sweeps of synthesizer, soaring guitar leads, soothing vocal deliveries, pounding dance grooves, and enlightened lyrical wordsmithing. What ALO gives their listeners here is an opportunity to take stock of what we each have that makes our lives good and think about how we can improve those lives and those around us.

ALO is a lot of things. Put simply, it’s a rock band, a family, an artistic outlet, a community, a business. But that only scratches the surface of this 3O-year musical vision-quest. ALO is an adventure, it’s a Spring break road trip to Colorado, it’s an all-night drive from Salt Lake City to San Jose. It’s the comfort of hanging out with life-long friends, of relaxing on a couch and finding treasures hidden in its cushions. It’s a coffee table full of amazing books on art, philosophy and music. It feels old and new, fresh and classic. It holds tension and dreams and possibility in its folds. It hopes to unveil something magical, something unheard of, something the world needs. It smells of super burritos and vans full of lemons, old bongs and epic hikes. It’s a sound of growing up in the San Francisco Bay Area. It’s a sound of northern California, with sprinkles of Santa Barbara and Augusta, Georgia. It was born of childhood friendships, of shared destinies, of inside jokes and of a desire to make people happy. It’s not for everyone, although it tries to be. It wants you to love and share in its vision. It’s long and meandering, then suddenly sharp, abrupt! It’s feral and clever, and it means you no harm. It’s love and freedom, collected and catalogued, then released back into the wilds from whence it came, over and over again. It’s an orchestrated liberation of our animal soul.

ALO



ALO
is more than a band. It’s a musical relationship that has endured for over two decades, with band members playing in numerous projects together and apart. Following the 2012 release of their freewheeling Sounds Like This, the band took time off to work on various side projects. Zach Gill (keys/vocals) toured the world with the band’s college pal Jack Johnson; Dan “Lebo” Lebowitz (guitar/vocals) played shows with the Grateful Dead’s Phil Lesh; Steve Adams (bass/vocals) toured and recorded with Nicki Bluhm & the Gramblers; Dave Brogan (drums/vocals) joined up with Utah band, Mokie. These and other endeavors have influenced the band’s new album Tangle Of Time.

More than previous releases, Tangle Of Time really taps into what makes ALO unique. It’s that special blend of classic songwriting and the ability to stretch out jams and distill dance floor grooves. It's heartfelt lyrics that make you smile, reflect and just want to sing along either way. It's four great musicians who all write and sing. And four friends who've been through a lot together and still support, challenge and inspire one another.

Entering Allegiant Records in San Anselmo, California this past January with co-producer Dave Simon-Baker, the four members decided they’d take a different recording approach. Instead of spending pre-production days jamming and co-writing, each member brought in their own demos, roughly three dozen in total, for the group to listen to, pick apart and eventually whittle down to the 11 songs that make up Tangle Of Time. Once they narrowed their focus, they turned their attention to arrangements and production techniques. Songs were tightened up, layers made more experimental and the end results validated their new approach. Lebo described the shared respect and admiration the band felt during the recording process this way: "There are four strong opinions in the room, but playing together for so long we've all become pretty good at the empathy thing at this point; we can be very Zen about it. We truly value being together at this point in our careers, and whatever we get from our solo and side gigs, no matter how much fun we have, it's not this."

That sort of maturity, the ability to take stock of your friends, loved ones, and collaborators, and truly appreciate them is certainly one of the cornerstones of Tangle Of Time. Lebo, Adams and Gill first started playing music together in middle school, and then with Brogan right after college. Somehow, these relationships have lasted, evolved and been made stronger every year. One can almost hear the group releasing a satisfied existential sigh throughout the album, finding acceptance, love and contentment with the world they've built.

"I really appreciate the guys right now, more so than ever," Gill shared, excitedly adding, "Years ago the feeling was, 'I wanna get to my songs and see how they sound while we're all here', whereas now I'm rooting for everyone else's songs. It's great."

That approach of supporting each other’s songs worked like a charm, capturing each member’s distinct songwriting voice, while simultaneously expanding the notion of what an ALO song or album can be. Take for instance the one-two-punch of the synth-filled, spacey jam vehicle "The Ticket" and the pedal steel-driven easy-going happiness of "Simple Times". Although two ends of the sonic spectrum, both are classic Gill songs at their core but stretched wide and far by the band’s collective effort.

Not to be outdone, Lebo's guitar epic "Undertow" is a song that practically begs to be stretched out live, with its swirling double guitar outro intoxicating the listener to such a degree that you might find yourself on the band's website, dreamily purchasing tickets for an entire run of shows just to see where the song ventures live. Lebo pairs this with "Push", a jaunty yet thoughtful number with a playful guitar riff that's basically the musical equivalent of joy.

"Not Old Yet" and "Keep On", Adams’ contributions to the album, are also touchstones to the spirit of Tangle Of Time. The first is a light-hearted romp about keeping a positive perspective on life’s long road of hurdles and surprises, while the second is an upbeat, forward-thinking sing-along with lines that could be the album's mantra: "Wherever this takes us, I know/That we've got each other, we've still got a long way to go."

Brogan's "Coast To Coast" is among the most intriguing songs on the record. He, along with co-writer buddy Ben Malan, came up with a layer-upon-layer soundscape consisting of beautifully esoteric textures. The funky but ominous track tells the surreal tale of a band on the run, with more ideas and energy than know-how. Brogan shared that the theme of “tangled time” materialized unexpectedly over the course of the sessions, elaborating: "There's a point where there is more behind you than ahead of you, and you realize that time becomes a limiting factor."

Put the record on your turntable, and you can clearly hear the band’s excitement to get back on the road and explore these songs with their audience. Improvisation is a staple of what the band does, and as Adams stated: "Being in that unknown is such a great life lesson beyond just the music. For all the careful planning and preparing we do, being in the moment is really when it all matters."

The band is also planning new ways to expand the theatrical shenanigans that have become a fantastic complement to the live show. From confetti canons to 12-foot beach balls, pre-show skits to elaborate theme nights, bubble suits to a laser-shooting ukulele (yes, really)... ALO is always on the hunt for new and exciting ways to interact with fans to make their shows truly special. Gill, the band's head prankster, put it this way: "I want people to come to a show expecting to be engaged in a fun and creative way. When I see someone dancing or singing along or reaching out to hit a giant beach ball, I start playing to the dancer and at that point, it's really a circle of energy traveling back and forth from the stage. The larger theatrical concepts are ways of interacting with the audience on another level."

On Tangle Of Time the band has reached that other level, and are ready to bring everyone along.

This album contains no booklet.

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