Ravel: Cantates pour le Prix de Rome Orchestre National des Pays de la Loire & Pascal Rophé

• Maurice Ravel (1873 - 1937): Alyssa, M. 38:
• 1 Ravel: Alyssa, M. 38: Prélude 03:29
• 2 Ravel: Alyssa, M. 38: I. Elfes légers, elfes errants 07:38
• 3 Ravel: Alyssa, M. 38: II. Ma beauté, ma lumière 06:11
• 4 Ravel: Alyssa, M. 38: III. Le barde, porte-glaive ! 08:50
• Alcyone, M. 34:
• 5 Ravel: Alcyone, M. 34: Prélude 03:44
• 6 Ravel: Alcyone, M. 34: I. à l'horizon, les blanches voiles 06:40
• 7 Ravel: Alcyone, M. 34: II. Description symphonique 03:56
• 8 Ravel: Alcyone, M. 34: III. Ah ! Dieux puissants ! 01:50
• 9 Ravel: Alcyone, M. 34: IV. Mon aimé ! Mon aimé ! 05:45
• 10 Ravel: Alcyone, M. 34: V. Ma fille, mon enfant ! 04:47
• Myrrha, M. 29:
• 11 Ravel: Myrrha, M. 29: Prélude 02:21
• 12 Ravel: Myrrha, M. 29: I. Me voici seul enfin ! 03:33
• 13 Ravel: Myrrha, M. 29: II. Ainsi qu'un signal 09:29
• 14 Ravel: Myrrha, M. 29: III. Tu ne passeras pas, ô roi 09:02
• L'aurore, M. 45:
• 15 Ravel: L'aurore, M. 45 06:08
• La nuit, M. 33:
• 16 Ravel: La nuit, M. 33 04:57
• Les Bayadères, M. 25:
• 17 Ravel: Les Bayadères, M. 25 03:53
• Matinée de Provence, M. 37:
• 18 Ravel: Matinée de Provence, M. 37 03:54
• Tout est lumière, M. 28:
• 19 Ravel: Tout est lumière, M. 28 03:52
• Total Runtime 01:39:59

Info for Ravel: Cantates pour le Prix de Rome

Between 1803 and 1968, the Grand Prix de Rome marked the zenith of composition studies at the Paris Conservatoire. In Maurice Ravel’s time the competition included an elimination round (a fugue and a choral piece) followed by a cantata in the form of an operatic scena. The entries were judged by a jury which generally favoured expertise and conformity more than originality and Ravel’s growing reputation as a member of the avant-garde was therefore hardly to his advantage, and may explain why he never won the coveted Premier Grand Prix, and the three-year stay at Rome’s Villa Medici that went with it.

The present two-disc set brings together all the vocal works that Ravel composed for the Prix de Rome – five shorter settings for choir and orchestra and three cantatas, each with three characters taking part in a plot which followed a more or less fixed sequence of introduction, recitative and aria, a duet, a trio and a brief conclusion. First published more than half a century after Ravel’s death, these test pieces for the Prix de Rome have never acquired the popularity of his other early works, such as Pavane pour une infante défunte, Jeux d’eau or the String Quartet. They are worth more than their reputation as academic exercises might suggest, however, and deserve to be better known, especially when performed by Orchestre National des Pays de la Loire and Pascal Rophé and a team of vocal soloists including Véronique Gens and Michael Spyres.

Veronique Gens, soprano
Vannina Santoni, soprano
Clarisse Dalles, soprano
Sophie Koch, mezzo-soprano
Janina Baechle, mezzo-soprano
Julien Behr, tenor
Michael Spyres, tenor
Mathys Lagier, tenor
Jacques Imbrailo, baritone
Choeur de l'Orchestre National des Pays de la Loire
Orchestre National des Pays de la Loire
Pascal Rophe, conductor

No biography found.

Booklet for Ravel: Cantates pour le Prix de Rome