Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi) Le Palais Royal & Jean-Philippe Sarcos

Cover Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi)

Album info

Album-Release:
2024

HRA-Release:
22.03.2024

Label: Aparté

Genre: Classical

Artist: Le Palais Royal & Jean-Philippe Sarcos

Composer: Alessandro Scarlatti (1685-1757), Antonio Lotti (1666-1740), Antonio Vivaldi (1678-1741), Bonaventura Rubino (1600-1668)

Album including Album cover Booklet (PDF)

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  • Domenico Scarlatti (1685 - 1757): Iste Confessor:
  • 1 Scarlatti: Iste Confessor 03:28
  • Bonaventura Rubino (1600 - 1668): Lauda Jerusalem:
  • 2 Rubino: Lauda Jerusalem 07:11
  • Antonio Lotti (1667 - 1740): Credo in F Major:
  • 3 Lotti: Credo in F Major: I. Credo 03:43
  • 4 Lotti: Credo in F Major: II. Crucifixus à 8 03:12
  • 5 Lotti: Credo in F Major: III. Et resurrexit 02:40
  • 6 Lotti: Credo in F Major: IV. Et unam sanctam catholicam 00:46
  • 7 Lotti: Credo in F Major: V. Et vitam venturi sæculi 01:19
  • Domenico Scarlatti: Stabat Mater:
  • 8 Scarlatti: Stabat Mater: I. Stabat Mater dolorosa 02:33
  • 9 Scarlatti: Stabat Mater: II. Cujus animam gementem 03:06
  • 10 Scarlatti: Stabat Mater: III. Quis non posset 02:21
  • 11 Scarlatti: Stabat Mater: IV. Eja Mater, fons amoris 01:42
  • 12 Scarlatti: Stabat Mater: V. Sancta Mater, istud agas 02:22
  • 13 Scarlatti: Stabat Mater: VI. Fac me vere tecum flere 00:52
  • 14 Scarlatti: Stabat Mater: VII. Juxta crucem 01:45
  • 15 Scarlatti: Stabat Mater: VIII. Inflammatus 02:57
  • 16 Scarlatti: Stabat Mater: IX. Fac ut animæ 02:10
  • 17 Scarlatti: Stabat Mater: X. Amen 01:26
  • Antonio Vivaldi (1678 - 1741): Laetatus sum, RV 607:
  • 18 Vivaldi: Laetatus sum, RV 607 02:40
  • Total Runtime 46:13

Info for Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi)



Baroque Italy still conceals many works that are too rarely performed. Here, ensemble Le Palais royal brings together Lotti's Credo, Rubino's Lauda Jerusalem, Vivaldi's Laetatus sum and Scarlatti’s splendid Stabat Mater.

Brilliant, virtuosic and richly ornamented, these pieces were composed for festivities and celebrations, and reflect the effervescence and opulence of the Italian cities of the seventeenth and eighteenth centuries.

Far from the smooth, cold marble, the ensemble’s performance on period instruments reveals all the asperities, reliefs and volumes of a language and music that it sculpts like a colourful and sensual material.

Le Palais Royal
Jean-Philippe Sarcos, director

No biography found.

Booklet for Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi)

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