Cover Lamentationes

Album info

Album-Release:
2019

HRA-Release:
06.09.2019

Label: BIS

Genre: Classical

Subgenre: Vocal

Artist: New York Polyphony Ensemble

Composer: Francisco de Penalosa (1470-1528), Francisco Guerrero (1528-1599), Pedro deEscobar

Album including Album cover Booklet (PDF)

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  • Francisco de Peñalosa (1470 - 1528):
  • 1 Lamentationes Jeremiae Feria V 11:34
  • Pedro de Escobar (1465 - 1535):
  • 2 Stabat Mater dolorosa 03:58
  • Francisco de Peñalosa:
  • 3 Lamentationes Jeremiae Feria VI 11:21
  • 4 Missa l'homme armé: II. Gloria in excelsis Deo 04:39
  • 5 Sancta Maria succure miseris 02:18
  • 6 Unica est columba mea 02:25
  • 7 Missa l'homme armé: III. Credo in unum Deum 07:20
  • Francisco Guerrero (1528 - 1599):
  • 8 Quae est ista 05:20
  • 9 Antes que comáis a Dios 02:17
  • Francisco de Peñalosa:
  • 10 Missa l'homme armé: V. Agnus Dei 03:20
  • Total Runtime 54:32

Info for Lamentationes



Renaissance music from Spain has come to mean the works of composers such as Tomás Luís de Victoria or Francisco Guerrero rather than their predecessors. But composers such as Francisco de Peñalosa – who died in 1528, the same year that Guerrero was born – were musicians of genuine imagination and skill, whose work often shows a formidable individuality. The most recent edition of Peñalosa’s oeuvre lists 22 works as genuine: masses, lamentations, hymns and motets. From these, New York Polyphony have selected two highly expressive Lamentations, intended for services held during Holy Week and setting biblical texts bemoaning the destruction of Jerusalem in 586 BC. Besides two brief motets, Peñalosa is also represented by sections from his Missa L’homme armé, one of the many examples from the 15th to the 17th century of cyclic masses based on secular melodies. These pieces by Peñalosa are brought into relief by shorter works by his near-contemporary Pedro de Escobar – a deeply haunting setting of the beginning of the hymn Stabat Mater – and the aforementioned Francisco Guerrero. Guerrero is represented by Quae est ista, a setting of words from the Song of Songs which have inspired the composer to ecstatic cascades of notes. In contrast his Antes que comáis a Dios, with a text in Spanish, is simple but effective, in a propulsive triple time.

New York Polyphony

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Booklet for Lamentationes

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