Cover Songbird

Album info

Album-Release:
2023

HRA-Release:
24.03.2023

Label: Warner Classics

Genre: Classical

Subgenre: Instrumental

Artist: Maria Ioudenitch & Kenny Broberg

Composer: Clara Schumann (1819-1896), Robert Schumann (1810-1856), Fanny Mendelssohn-Hensel (1805-1847), Nadia Boulanger (1887-1979), Amy Beach (1867-1944), Peter Iljitsch Tschaikowsky (1840-1893), Nikolai Medtner (1880-1951), Sergej Rachmaninoff (1873-1943), Michael Glinka (1804-1857), Franz Schubert (1797-1828), Richard Strauss (1864-1949)

Album including Album cover Booklet (PDF)

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  • Clara Schumann (1819 - 1896): 3 Romances for Violin and Piano, Op. 22:
  • 1 Schumann: 3 Romances for Violin and Piano, Op. 22: No. 1 Andante molto 03:02
  • Robert Schumann (1810 - 1856): 3 Romances, Op. 94:
  • 2 Schumann: 3 Romances, Op. 94: II. Einfach, innig 04:09
  • Fanny Mendelssohn (1805 - 1847): 6 Lieder, Op. 7, No. 2 Erwin (Arr. for Violin & Piano by Maria Ioudenitch):
  • 3 Mendelssohn: 6 Lieder, Op. 7, No. 2 Erwin (Arr. for Violin & Piano by Maria Ioudenitch) 01:40
  • Nadia Boulanger (1887 - 1979): Soleils couchants:
  • 4 Boulanger: Soleils couchants 02:35
  • Amy Beach (1867 - 1944): Romance for Violin & Piano, Op. 23:
  • 5 Beach: Romance for Violin & Piano, Op. 23 05:41
  • Pyotr Ilyich Tchaikovsky (1840 - 1893): 6 Romances, Op. 6:
  • 6 Tchaikovsky: 6 Romances, Op. 6: No. 6, None but the Lonely Heart (Arr. for Violin & Piano by Mischa Elman) 03:03
  • Nikolai Medtner (1880 - 1951): Fairy Tale, Op. 20, No. 1 (Arr. for Violin & Piano by Jascha Heifetz):
  • 7 Medtner: Fairy Tale, Op. 20, No. 1 (Arr. for Violin & Piano by Jascha Heifetz) 02:59
  • Canzona Matinata (Arr. for Violin & Piano by Kenny Broberg):
  • 8 Medtner: Canzona Matinata (Arr. for Violin & Piano by Kenny Broberg) 04:05
  • Sergei Rachmaninov (1873 - 1943): 6 Romances, Op. 4:
  • 9 Rachmaninov: 6 Romances, Op. 4: No. 4, "Do not sing, my beauty, for me" (Arr. for Violin & Piano by Maria Ioudenitch) 04:21
  • Mily Balakireff (1837 - 1910), Mikhail Glinka (1804 - 1857): L’Alouette / The Lark (Arr. For Violin & Piano by Leopold Auer):
  • 10 Balakireff, Glinka: L’Alouette / The Lark (Arr. For Violin & Piano by Leopold Auer) 05:25
  • Franz Schubert (1797 - 1828): Fantasie in C Major, Op. 159, D. 934:
  • 11 Schubert: Fantasie in C Major, Op. 159, D. 934: I. Andante molto 03:09
  • 12 Schubert: Fantasie in C Major, Op. 159, D. 934: II. Allegretto 05:18
  • 13 Schubert: Fantasie in C Major, Op. 159, D. 934: III. Andantino 11:01
  • 14 Schubert: Fantasie in C Major, Op. 159, D. 934: IV. Allegro vivace - Allegretto - Presto 04:29
  • Richard Strauss (1864 - 1949): 4 Lieder, Op. 27, TrV 170:
  • 15 Strauss: 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Arr. for Voice, Violin & Piano by Maria Ioudenitch) 03:37
  • Total Runtime 01:04:34

Info for Songbird



The voice of the violin with a song cycle without words: Making her instrument sing - this is an art that violinist Maria Ioudenitch has mastered like hardly any other artist of the young generation. That the world of singing is also the centre of her debut album is already foreshadowed by the title: "Songbird". After spectacular victories at the most important international competitions - most recently at the Joseph Joachim Violin Competition in Hanover, combined with the Warner Classics Award - Maria Ioudenitch is now taking another step on her way to the top of the world.

Together with pianist Kenny Broberg, Maria Ioudenitch has woven chamber music works and suitably arranged piano songs into a narrative that is as exciting as it is varied - a kind of song cycle without words in which the sound of the violin enters into inspiring competition with that of the human voice. True to Maria Ioudenitch's self-characterisation as an "American with a Russian soul", the music of Russian composers such as Tchaikovsky, Medtner or Rachmaninoff plays a special role alongside the German song repertoire. But female composers - Clara Schumann, Fanny Hensel, Amy Beach and Nadia Boulanger - also join in the singing. Speaking of singing! One cannot be missing here, and so Maria Ioudenitch has given the "songbird" Franz Schubert a special place on her album: Schubert's beguilingly beautiful C major Fantasy, composed in 1827, in which romantic rapture and paganini-like virtuosity unite to form a musical miracle, forms the centrepiece of this remarkable debut shortly before the conclusion with Richard Strauss' "Morgen".

Maria Ioudenitch, violin
Kenny Broberg, piano
Theresa Pilsl, soprano (track 15)



Maria Ioudenitch
completed her Bachelor’s at the Curtis Institute of Music and her Master’s at New England Conservatory. She is currently finishing her studies at NEC with Miriam Fried as an Artist Diploma candidate. Over the past year, Ioudenitch has received first prizes in the Ysaye International Music Competition, the Tibor Varga International Violin Competition, and the Joachim International Competition, as well as numerous other prizes within these competitions, most notably Joachim’s Warner Classics prize, which will lead to a debut album set to release in summer 2022.

Recent solo engagements include the Utah Symphony, Kansas City Symphony, Mississippi Symphony Orchestra, NDR Radiophilharmonie, NFM Leopoldinum, Mariinsky Symphony Orchestra, Lithuania Chamber Orchestra, the Signature Symphony at TCC, Israel Camerata, and the National Orchestra of Uzbekistan. Recent chamber music performances have taken Ioudenitch across South America with Roberto Diaz and to Chicago, New York, Connecticut, and Boston with Miriam Fried.

Maria Ioudenitch has participated in various summer festivals and academies such as the Marlboro Music Festival, Ravinia’s Steans Music Institute, the International Summer Academy at Universität Mozarteum in Salzburg, and the International Music Academy in the Principality of Liechtenstein. She was appointed Concertmaster of the Curtis Symphony Orchestra during the 2016-2017 season, ending the season with a tour through Europe featuring Strauss’s Ein Heldenleben.

Born in Russia and raised in Kansas City, Maria Ioudenitch began studying the violin at the age of 3 because there were just too many pianists in the house. Her pianist parents, Stanislav and Tatiana, handed her a tiny violin and the rest is history. Apart from classical music, Maria adores Jazz and visual art. Some of her favorite composers and artists include Robert Schumann, Jazz composer Oscar Peterson, and Surrealist artist Remedíos Varo.

Kenny Broberg
During his auspicious career before winning the 2021 American Pianist Awards and Christel DeHaan Classical Fellowship, Kenny Broberg captured the silver medal at the 2017 Van Cliburn International Piano Competition and a bronze medal at the 2019 International Tchaikovsky Competition as well as prizes at the Hastings, Sydney, Seattle and New Orleans International Piano Competitions, becoming one of the most decorated and internationally renowned pianists of his generation. Broberg is lauded for his inventive, intelligent and intense performances.

“Broberg mastered everything he performed over the weekend, pulling a palette of moods from every register,” The Indianapolis Star writes of Broberg’s performance during the Finals for American Pianists Awards. “In the ‘Dante Sonata’ from Liszt's Years of Pilgrimage, the pianist easily captured the drama in the journey, marrying all of the energy of those emotions in the epic ending.”

Crediting his first exposure to classical music to his Italian grandfather’s love of the Three Tenors, Broberg began piano lessons on his family’s upright piano at age 6. During his childhood in Minneapolis, he began studying piano with Dr. Joseph Zins at Crocus Hill Studios in Saint Paul. Throughout high school, he balanced his musical lessons with playing baseball and hockey. He remains an avid fan for both the Minnesota Twins and Wild and checks their scores while on breaks during his practice.

Broberg earned a Bachelor of Music degree in 2016 at the University of Houston’s Moores School of Music, studying under Nancy Weems. He continued his studies at Park University in Parkville, Missouri, under the direction of Stanislav Ioudenitch, the gold medalist at the 2001 Van Cliburn International Piano Competition. Starting in the 2022-2023 academic year, Broberg will join the Reina Sofía School of Music in Madrid as Deputy Professor of the Fundación Banco Santander Piano Chair led by Ioudenitch.

Performing on stages and in concert halls across Europe, Asia, Australia, and North America, Broberg has worked with some of the world’s most respected conductors, including Ludovic Morlot, Kent Nagano, Leonard Slatkin, Vasily Petrenko, Nicholas Milton, John Storgårds, Carlos Miguel Prieto, Gerard Schwarz and Stilian Kirov. He has collaborated with the Royal Philharmonic and the Minnesota, Indianapolis, Kansas City, Sydney, Seattle and Fort Worth Symphonies, among others. He has been featured on WQXR, Performance Today, Minnesota Public Radio and ABC (Australia) radio, and presented his original composition “Barcarolle” on NPR in March 2021.

As part of the American Pianist Awards, he will release his first studio album with the Steinway & Sons label in late 2022.

The Christel DeHaan Classical Fellowship also provides Broberg with a prize valued at $200,000 designed to assist him as he builds his musical career. It includes $50,000 in cash, two years of professional development and assistance and performance opportunities worldwide. Broberg will also work with students and host performances during his time on campus as the Artist-in-Residence at the University of Indianapolis. Before embarking on his international concerts, Broberg performed in his adopted home of Kansas City, Missouri, for the concert “KC Celebrates Kenny Broberg” in September 2021.

Booklet for Songbird

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