Origin ARUNDOSquintett

• Thomas Blomenkamp (b. 1955): Sept desserts rythmiques for Wind Quintet:
• 1 Blomenkamp: Sept desserts rythmiques for Wind Quintet: I. Sempre piano e Leggiero 01:25
• 2 Blomenkamp: Sept desserts rythmiques for Wind Quintet: II. Calmo 01:34
• 3 Blomenkamp: Sept desserts rythmiques for Wind Quintet: III. Semplice e Piano 02:46
• 4 Blomenkamp: Sept desserts rythmiques for Wind Quintet: IV. Con Fuoco 02:05
• 5 Blomenkamp: Sept desserts rythmiques for Wind Quintet: V. Con Slancio 01:24
• 6 Blomenkamp: Sept desserts rythmiques for Wind Quintet: VI. Calmo, ma con Moto 02:28
• 7 Blomenkamp: Sept desserts rythmiques for Wind Quintet: VII. Con Delicatezza 01:30
• Manfred Trojahn (b. 1949): Sonata III for Wind Quintet:
• 8 Trojahn: Sonata III for Wind Quintet: I. Moderato 10:36
• 9 Trojahn: Sonata III for Wind Quintet: II. Scherzo Commodo 03:38
• 10 Trojahn: Sonata III for Wind Quintet: III. Molto Adagio 07:40
• Maximilian Guth (b. 1992): NGOMA for Wind Quintet:
• 11 Guth: NGOMA for Wind Quintet 10:27
• György Ligeti (1923 - 2006): Six Bagatelles for Wind Quintet:
• 12 Ligeti: Six Bagatelles for Wind Quintet: I. Allegro con Spirito 01:12
• 13 Ligeti: Six Bagatelles for Wind Quintet: II. Rubato. Lamentoso 03:26
• 14 Ligeti: Six Bagatelles for Wind Quintet: III. Allegro Grazioso 02:34
• 15 Ligeti: Six Bagatelles for Wind Quintet: IV. Presto Ruvido 00:59
• 16 Ligeti: Six Bagatelles for Wind Quintet: V. Adagio. Mesto 02:25
• 17 Ligeti: Six Bagatelles for Wind Quintet: VI. Molto vivace. Capriccioso 01:26
• Total Runtime 57:35

Info for Origin

With their debut album Origin, the ARUNDOSquintett demonstrate their joy of playing, their virtuosity and their chamber music credentials, performing wind quintets by four composers who, like the ensemble, have made North Rhine-Westphalia their home in very different ways: György Ligeti, Thomas Blomenkamp and - in premiere recordings - Manfred Trojahn as well as Maximilian Guth.

Influences and inspiration ranging from Balkan folk music in Ligeti's early Six Bagatelles, through African trance music in Guth's current composition NGOMA and the spirit of French modernism in Trojahn's and Blomenkamp's works provide the classical wind formation of flute, oboe, clarinet, horn and bassoon with new, exceptional life for the twentieth and twenty-first centuries. The ARUNDOSquintett excels equally with soloistic individuality and homogeneous ensemble.

Anna Saha, flute
Yoshihiko Shimo, oboe
Christine Stemmler, clarinet
Lisa Rogers, horn
Yuka Maehrle, bassoon

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