Napoli! (Deluxe Edition) Ophélie Gaillard, Sandrine Piau, Marina Viotti, Luan Góes, Pulcinella Orchestra

• Diego Ortiz (1510 - 1570): Trattado de Glosas:
• 1 Ortiz: Trattado de Glosas: Recercadas ottava y quarta sobre 'La Folia' 03:07
• Nicola Matteis (1650 - 1714): Ayres for the Violin, Book I (Arr. for Violoncello Piccolo):
• 2 Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio 01:15
• 3 Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Scaramuccia 03:07
• Andrea Falconieri (1585 - 1656): Il primo libro di Canzone (Arr. for Violoncello Piccolo):
• 4 Falconieri: Il primo libro di Canzone (Arr. for Violoncello Piccolo): La suave melodia 02:13
• 5 Falconieri: Il primo libro di Canzone (Arr. for Violoncello Piccolo): Su corrente 02:26
• Alessandro Scarlatti (1660 - 1725): Cello Sonata No. 1 in D Minor:
• 6 Scarlatti: Cello Sonata No. 1 in D Minor: I. Largo 01:24
• 7 Scarlatti: Cello Sonata No. 1 in D Minor: II. Allegro 01:49
• 8 Scarlatti: Cello Sonata No. 1 in D Minor: III. Largo 01:03
• 9 Scarlatti: Cello Sonata No. 1 in D Minor: IV. A tempo giusto 01:30
• Domenico Natale Sarro (1679 - 1744): San Ermenegildo:
• 10 Sarro: San Ermenegildo: "Saprò ben con tanto piangere" 06:51
• Nicola Fiorenza (1700 - 1764): Cello Concerto No. 1 in F Major:
• 11 Fiorenza: Cello Concerto No. 1 in F Major: I. Presto 04:22
• 12 Fiorenza: Cello Concerto No. 1 in F Major: II. Allegro 03:34
• 13 Fiorenza: Cello Concerto No. 1 in F Major: III. Largo 02:29
• 14 Fiorenza: Cello Concerto No. 1 in F Major: IV. Allegro 03:25
• Giuseppe Bonno (1711 - 1788): L'isola disabitata:
• 15 Bonno: L'isola disabitata: "Non turbar quand'io mi lagno" 05:23
• Emanuele Barbella (1718 - 1777): Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo):
• 16 Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): I. Arlecchinessa 04:12
• 17 Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): II. Arlecchino solo. Allegro staccato 03:22
• 18 Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): III. Ninna Nanna 02:57
• 19 Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): IV. Minuetto del pazzo 01:04
• 20 Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): V. Rosetta, Arlecchino, Arlecchinessa, e Pulcinella 02:18
• Anonymous: Tarentella 'La vallubrella' (Arr. for Violoncello Piccolo):
• 21 Anonymous: Tarentella 'La vallubrella' (Arr. for Violoncello Piccolo) 04:33
• Andrea Falconieri: Folias echa para mi Señora Doña Tarolilla de Carallenos:
• 22 Falconieri: Folias echa para mi Señora Doña Tarolilla de Carallenos 03:34
• Nicola Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo):
• 23 Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Altra sarabanda 02:06
• 24 Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Giga 01:00
• Francesco Corselli (1705 - 1778): Lamentación segunda del Jueves Santo:
• 25 Corselli: Lamentación segunda del Jueves Santo: Nun. Tempo giusto 04:35
• 26 Corselli: Lamentación segunda del Jueves Santo: Samech. Cantabile 02:10
• 27 Corselli: Lamentación segunda del Jueves Santo: Lamed. Adagio 05:53
• Concerto No. 2 in G Minor:
• 28 Durante: Concerto No. 2 in G Minor: I. Affettuoso 01:40
• 29 Durante: Concerto No. 2 in G Minor: II. Presto 03:44
• Cello Sonata No. 1 in D Major:
• 30 Alborea: Cello Sonata No. 1 in D Major: I. Amoroso 02:37
• 31 Alborea: Cello Sonata No. 1 in D Major: II. Allegro 01:23
• 32 Alborea: Cello Sonata No. 1 in D Major: III. Menuet 02:01
• Leonardo Leo (1694 - 1744): Cello Concerto in D Minor, L. 60:
• 33 Leo: Cello Concerto in D Minor, L. 60: I. Andante grazioso 03:34
• 34 Leo: Cello Concerto in D Minor, L. 60: II. Con spirito 03:14
• 35 Leo: Cello Concerto in D Minor, L. 60: III. Amoroso 02:56
• 36 Leo: Cello Concerto in D Minor, L. 60: IV. Allegro 02:13
• Nicola Porpora (1686 - 1768): Ifigenia in Aulide:
• 37 Porpora: Ifigenia in Aulide: "Tu, spietato, non farai" 04:59
• Salvatore Lanzetti (1710 - 1780): Cello Sonata No. 7 in G Major, Op. 1:
• 38 Lanzetti: Cello Sonata No. 7 in G Major, Op. 1: III. Largo 01:34
• 39 Lanzetti: Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante 02:43
• Nicola Porpora: Temistocle:
• 40 Porpora: Temistocle: "Fiero il ciel balena intorno" 06:22
• Giovanni Battista Pergolesi (1710 - 1736): Violin Concerto in B-Flat Major (Arr. for Violoncello Piccolo):
• 41 Pergolesi: Violin Concerto in B-Flat Major (Arr. for Violoncello Piccolo): II. Largo 03:33
• Deianira, Iole ed Ercole:
• 42 Pergolesi: Deianira, Iole ed Ercole: "Se morrai per me" (Bonus Track) 06:15
• Ayres for the Violin, Book I:
• 43 Pergolesi: Ayres for the Violin, Book I: Aria malinconica (Bonus Track) 02:03
• 44 Pergolesi: Ayres for the Violin, Book I: Giga [II] (Bonus Track) 01:18
• Total Runtime 02:13:51

Info for Napoli! (Deluxe Edition)

Continuing her exploration of the cello repertoire, on Napoli!, Ophélie Gaillard takes listeners on a tour of baroque Naples. We meet emblematic figures such as virtuosos Fiorenza, Lanzetti and Francischello, the composers Durante and Leo, the Spanish Ortiz and the Madrid-born Corselli, and even, in the course of a sonata or a dance, Scaramouche, Harlequin and their comrades from the commedia dell'arte. The Neapolitan soul is revealed in all this richness: hybrid, sensual, contrasting, both theatrical and profoundly authentic. Alongside the Pulcinella Orchestra as well as Sandrine Piau, Marina Viotti and Luan Góes, Ophélie Gaillard's cello draws on it's many sources, from popular to lyrical, secular to sacred. Unpublished works by Porpora, Bonno and Barbella confirm that Naples has not finished giving up it's secrets.

Ophelie Gaillard, cello
Sandrine Piau, soprano
Marina Viotti, mezzo-soprano
Pulcinella Orchestra
Luan Goes, conductor

Ophélie Gaillard
Her “technical fluency is unimpeachable. Herintonation … is impeccable. She plays with a ripe, absolutely luscious tone. Her use of vibrato iscircumspect and period- appropriate. She isscrupulous about observing repeats and her use of ornamentation is elegant and understated. The fluidity and unself-conscious physicality of Gaillard’s playing keeps the listener aware that, except for the preludes, this is sunny, dance-basedmusic.”

So wrote the critic Stephen Eddins (Allmusic) of her recent Bach recording (2011), while back in 2007 The Times hailed her “wizardfingering, big lyrical heart and kaleidoscope of colours”.

An insatiable curiosity, a taste for risk, an immoderate appetite for the whole of the concertedcello repertoire, complete disregard of limits and petty quarrels: those are no doubt the features thathave always set this brilliant Franco-Swissmusician apart. Her passion? Working from the sources, inquiring into the text, using her virtuosityto bring out the musical discourse and make the music loved by all.

Named “Revelation: Solo Instrumentalist of the Year” at the French Classical Music Awards(Victoires) in 2003, she has since appeared in recital at many prestigious venues: Concertgebouw Bruges and Amsterdam; Bozarand Flagey, Brussels; the theatres of Bordeaux, Avignon, Poissy, Aix-en-Provence; the Théâtre du Châtelet in Paris; Oji Hall, Tokyo; London’sWigmore Hall; and so on.

She also performs works of the twentieth and twenty-first centuries, and has recorded, for instance, Britten’s complete Cello Suites and Piano Sonatas with Vanessa Wagner (Diapason d’Or, Choc du Monde de la Musique) and Pierre Bartholomée’s Oraison for solo cello.

Her solo album Dreams (Aparté) recorded in 2009 at the legendary Abbey Road Studios in London with the Royal Philharmonic Orchestra, proved to be a great public success.

Versatile artist, Ophelie Gaillard also regularlyperforms as a soloist with orchestras such as the Japan Philharmonic, the Royal Philharmonic, the Polish Radio Orchestra and the National Radio Orchestra of Romania, the Franz Liszt ChamberOrchestra of Budapest, the Moscow ChamberOrchestra, the Toulouse Chamber Orchestra, the Monte-Carlo Philharmonic Orchestra, the SlovakPhilharmonic Orchestra, etc….

Ophélie Gaillard has won several prizes in major international competitions, including, most notably, The third prize of the J. S. Bach International CelloCompetition in Leipzig in 1998. In 2010 she wasinvited to sit on the jury for the ARD International Cello Competition in Munich.

She appears regularly on radio (France Musique, France Culture, France Inter, Radio Classique, BBC Radio 3, Espace 2) and television (France 2, Mezzo, Arte).

2015 her double ALVORADA CD was awardedStar Recording by the Strad Magazine. This programme, a journey into popular Spanish and Latin American musics was on tour in France, Italy(MiTo Festival), Mexico (Cervantino Festival), withBrazilian singer Toquinho among others and 2016 her second CPEBACH recording was hailed by the critic and received a Diapason d’or, Choc de la Musique Classica, FFFF Telerama.

Among other recordings highly acclaimed as well, Exils with Bloch’s Schelomo coupled with the Korngold’s cello concerto with the Monte-Carlo Philharmonic Orchestra under British conductorJames Judd, Strauss’ Don Quixote with the CzechNational Symphony Orchestra, Boccherini withPulcinella Oorchestra.

2014 she was appointed Professor at the Haute Ecole de Musique in Geneva and her recording of Carl Philipp Emanuel Bach’s cello concerti withPulcinella was awarded DIAPASON D’OR of the year.

Ophélie Gaillard plays a cello by Francesco Goffriller (1737), generously on loan from the CIC, and also an anonymous Flemish violoncellopiccolo.

This album contains no booklet.