Telemann, Platti, Vivaldi & Geminiani: Concerti all'arrabbiata Freiburger Barockorchester & Gottfried von der Goltz

• Georg Philipp Telemann (1681 - 1767): Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2:
• 1 Telemann: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: I. Spirituoso ma non presto 02:07
• 2 Telemann: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: II. Adagio 00:37
• 3 Telemann: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: III. Allegro 01:44
• 4 Telemann: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: IV. Largo 01:40
• 5 Telemann: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: V. Allegro assai 02:07
• Giovanni Benedetto Platti )1697 - 1763): Concerto in G Minor for Oboe, Strings and Continuo, I 47:
• 6 Platti: Concerto in G Minor for Oboe, Strings and Continuo, I 47: I. Allegro 04:04
• 7 Platti: Concerto in G Minor for Oboe, Strings and Continuo, I 47: II. Largo 04:18
• 8 Platti: Concerto in G Minor for Oboe, Strings and Continuo, I 47: III. Allegro 03:51
• Antonio Vivaldi (1678 - 1741): Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483:
• 9 Vivaldi: Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483: I. Presto 02:17
• 10 Vivaldi: Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483: II. Larghetto 02:24
• 11 Vivaldi: Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483: III. Allegro 03:12
• Francesco Geminiani (1687 - 1762), Arcangelo Corelli (1653 - 1713): Concerto Grosso in D Minor for 2 Violins, Cello, Strings and Continuo, "La Follia":
• 12 Geminiani, Corelli: Concerto Grosso in D Minor for 2 Violins, Cello, Strings and Continuo, "La Follia" 11:23
• Georg Philipp Telemann: Sinfonia in G Major for Piccolo, Chalumeau, Double-Bass, Strings and Continuo "Grillen-Symphonie":
• 13 Telemann: Sinfonia in G Major "Grillen-Symphonie", TWV 50:1: I. Etwas lebhaft 04:13
• 14 Telemann: Sinfonia in G Major "Grillen-Symphonie", TWV 50:1: II. Taendelnd 02:52
• 15 Telemann: Sinfonia in G Major "Grillen-Symphonie", TWV 50:1: III. Presto 02:37
• Total Runtime 49:26

Info for Telemann, Platti, Vivaldi & Geminiani: Concerti all'arrabbiata

Seventeenth Century Italy not only consumed great quantities of chili peppers, it was also the birthplace of virtuoso, explosive baroque music.

The concertos of Platti, Vivaldi and Geminiani, with their furiously buzzing strings and fleet woodwinds, are perfect examples.

These works inspired their musical neighbours in Germany, including Telemann, who penned a concerto for two intrepid horns as well as the Grillen-Symphonie.

Gottfried van der Goltz and the musicians of the Freiburger Barockorchester offer fiery renditions of these thrilling works.

Freiburger Barockorchester
Gottfried von der Goltz, conductor

Das Freiburger Barockorchester
According to legend, it all began on New Year’s Eve in 1985, when several students at the College of Music in Freiburg – excited about the upcoming new year and in full flush thanks to a few glasses of sparkling wine – decided to form an ensemble and play Baroque music on historical instruments.

After two years of rehearsals, with intensive research into sources and animated discussions on how on earth to play this or that phrase in Baroque style, they were ready: the musicians appeared for the first time under the name ‘Freiburg Baroque Orchestra’ in the Burgheim Church in Lahr on 8 November 1987. The program consisted of Baroque music from England (Purcell), France (Lully), Italy (Corelli), Austria (Muffat) and the Netherlands (Wassenaer).

Even after more than twenty years, the musicians of the Freiburg Baroque Orchestra still approach every single work or concert programme from this perspective. Though in the meantime its repertoire has enlarged impressively, ranging from the Baroque 17th century, through the Classic and Romantic periods, to current works. Yes, the ‘Freiburgers’ (as they are often referred to in the music scene) have also inspired experimental musical interest amongst contemporary composers to create works for their Baroque instruments. Indeed, very often with an explicit Baroque reference, for example during the Bach Week in Ansbach where the musicians baptised an ‘Ansbachian Concert’ by Manfred Trojahn in August 2009, whose instrumentation and operatic concert form referred to Johann Sebastian Bach’s Fourth Brandenburg Concerto.

Another property inseparably connected with the FBO is that they mostly play without a conductor. As was usual in the 18th century, the Freiburg Baroque Orchestra is also led from the concertmaster’s platform. Less historically, actually in an extremely modern manner, the Freiburgers fill this position with two Artistic Managers of equal status (a form of dual command), who alternately manage individual projects: Gottfried von der Goltz and Petra Müllejans. Conductors are, of course, invited for works involving a larger number of players. The most prominent guest, and particularly popular amongst the musicians, is René Jacobs, under whose leadership the FBO won the German Record Critics’ Award in 2009 for their recording of Mozart’s opera Idomeneo. Often, and this too is a special quality of the FBO, the ensemble’s own musicians appear as soloists in concerts and on CD. And this brings us to the trade mark of the Freiburg Baroque Orchestra: major aspirations, enormous playing pleasure and a lively musical inquisitiveness. Whereby rediscovering unknown music is just as important as getting familiar music to speak in a new dialect. The Freiburg Baroque Orchestra has conquered the most famous concert halls on the international music scene with this artistic credo, where they can be heard with about 100 appearances per year. Often with some of the most famous interpreters of our time, such as Christian Gerhaher, Isabelle Faust, Philippe Jaroussky and René Jacobs. The orchestra’s discography has meanwhile grown to over 60 CDs, of which many recordings have won prizes. That the Freiburg Baroque Orchestra has also played itself to the top of the traditional classical scene is demonstrated by the fact that it was the very first Baroque orchestra to be invited to open the Salzburg Festival, in 2009.

In addition to its own series of concerts in the Freiburg Concert Hall, the FBO has also found a musical home in Stuttgart’s Liederhalle and Berlin’s Philharmonie for over 15 years with a series of concerts that it organises itself.

Booklet for Telemann, Platti, Vivaldi & Geminiani: Concerti all'arrabbiata